我一直都很幸运。我总是有朋友和前辈来指导我。我也非常感谢我的家人给了我不受金钱困扰的生活。我希望将来能建造一个属于我自己的美丽池塘。
Category: Medium
recovery
来自美国的艺术家
Treasure Girl
In fact, people are born with some precious wealth, but as the years grow up, the more you see and the more you experience, they gradually change. And when you open it, what do you see? Treasures are not always friends, but friends are always treasures!
Buddy Camera
生命是美妙动人的音符。总想留下片刻的记忆,细细品味。相机胶卷中存储的内容是一种爱好。照片让珍贵的相聚瞬间,留住瞬间的永恒。
The Meaning of Existence – dust
人类为了生存必须消耗地球的资源,而在这个过度消耗资源的时代,地球遭受了很大的破坏。我希望我的存在能够尽量减少对地球环境的负担。当我出生时,我就像宇宙中亿万颗行星中的一颗,只是太阳系中的一粒尘埃;当我离开时,尘土归尘,仿佛我从未来过。
作品ㄧ是婴儿床上的婴儿,代表我的诞生;
另一面是死亡时躺在床上的尸体,代表我的离去。我身边的表格记录了我出生和离开时对地球的影响。
创作媒介是用铅笔上色的,没有保护漆。希望以最简单的方式呈现,就像生命简单的存在一样。
The Meaning of Existence – dust
Human beings must consume the earth’s resources for survival, and in this era of excessive consumption of resources, the earth has suffered a lot of damage. I hope that my existence can minimize the burden on the earth’s environment. When I was born, like one of hundreds of millions of planets in the universe, I was just a little dust in the solar system; when I left, the dust returned to the dust, as if I had never been before.
The work ㄧ is a baby in a crib, representing my birth;
The other side is the body lying on the bed at the time of death, representing my departure. The form standing next to me records the impact on the earth when I was born and left.
The creative medium is colored with pencils, and there is no protective lacquer. It is hoped to be presented in the simplest way, like the simple existence of life.
Colors of My Life
Artist from Singapore
The colors on my box signify and represent my life. Blessed I am with the life I have. As much as it’s colorful and pretty, there are darker colors on there that represent the tough and difficult roads I had along the way. Losing friends that colored my life, using material that binds and reminded me of my late mom who was my strength. The curves and shapes on the box are the never-ending roads that will continue to add color to my life. I for one believe that every stroke has a story.
Mother’s Cushion
Artist from Japan
My mother, 82 years old, has lived in Japan, doing housework for her family for 60 years.
No retirement, no weekend. That’s very common for Japanese women of that generation. Her family feels at ease thanks to her contribution. She is like a comfortable sofa for her family but she doesn’t have her own chair.
I would like to offer her a comfortable cushion, hoping she can take a rest sometimes.
I decorated it in pink because she loves to go out dressing herself up.
faith • hope • love
Artist from USA
I am an ABC, an American Born Chinese; one woman with two cultures and three words that hold my life together: Faith, Hope and Love. The secret that holds my life together is in the box… and that is the radiance of Christ.
Faith – in Christ
Hope – in His future for me and my family
Love – in my heart for my family
my friends
my two countries
and my life in Him
Under His love, I have “new life.” The butterfly represents my life in Him. I’ve chosen this fabric, not just because it was left over from my dining room chairs (up-cycling) but also, because fabrics and interiors have been a big part of my life and career here in Taiwan for over 36 years.
My deepest truth is: Faith, hope and love in the Lord has guided and blessed my life in ways I could never have imagined or dreamt of.
A Piggy’s Dream
Deep and sound asleep in the dark night.
Covered with the colours of black, red, and gold of security.
Mother said, “It’s a guarantee. Sleep. Sleep. adorable little baby.”
Sailing, sweet sleep little piggy
Even inside the dark box
Safe and sound asleep in the dream with guarantee of smiling
Sweet sleep
With beauty and good health guarantee.
MY Life AND MY Lesson
Artist from Canada
This is La Benida Hui’s box, broken into pieces representing her “Life’s Lesson” by a hanging mobile. The Center is her art table and art tools, hanging from this space is the root of all things; Love.
On one end is the Ocean, made into a cross-like form; standing for the sacrifice of our home planet and our health at our own hands through climate change and pollution.
On the opposite end is The Green where nature items are bound together intertwined with Indigenous patterns. Symbols of whales and butterflies represent Life, Beauty and Rebirth.
Garden of Courage…
Where the
Seeds breakthrough
From breakdown.
Seasons are the reasons…
Nothing, nothing was an accident, everything was meant to
Happen.
Garden of Courage, seeds planted, tribes gathered, beautiful friendships blooming…
The “Formosa Tales” box project has allowed me to see the courage within, I am inspired by many with the sharing circles, and the boxes created… women of different backgrounds coming together having a much-needed conversation, the power of connection creates the possibility for transformation …It is my hope that with each box, every place we go, the seeds of courage would be planted, our collective vibration for the greater good, to be the courage; strength continues to blossom…
This little wooden box
What brings is unlimited possibilities…
In sharing and listening, the bravery of the exhibitors touched me… let me see the beauty of my bravery and vitality again. How to open the chat box in my heart, and what is worth cherishing… That is really an art. This garden bloomed in the third version. It is my expectation. What the treasure island chatterbox can plant on this beautiful island is full of hope, full of long-term prospects, abundant flowers and good fruits everywhere.
The Love Seat
Artist from USA
A cozy and happy place, this Love Seat. Challenging the traditional appearance of your typical living room chair, fireworks and “power red” fabric make for a bold, yet celebratory, place to sit.
The inconsistent pattern mimics the reality of our own inconsistent lives – as women and people – but appearing upon a strong piece of furniture reminds us we are still safe and stable. Individual black and white buttons remind us that everyone, regardless of color, is invited and welcome, while a single ruffle-edged pillow adds a touch of “feminine”.
Thank You!
Think
An Old Song
Recently, a collection of my poetry entitled, Common Ancestry was published by Mille Grazie Press. The title of the poem and several others, including An Old Song, were written remembering my grandmother, Curruth Drummond Kincaid. Her picture as a young woman graces the cover of the book. All that I do- from poetry to politics- has its genesis in my grandmother’s life. She always spoke of the influences of her grandmother, Chestine Foster, and her aunt, Ada Foster. I was her firstborn grandchild and went to live with her in Marion, North Carolina, just before my 5th birthday in 1948. She died in 1997 at the age of 97. Here I have used her picture taken at age 94. The picture of me, circa age 45, was taken by my friend, Specs Powell.
This box is covered with purple star-studded paper which wrapped a book I received as a thank-you gift from a teacher and friend, Marianne Rossant. The book was her mother’s memoir of growing up in Egypt and in France, the birthplaces of her parents. My friend, Margaret Matson, instructed me in the art of paper maché. The poem is printed on a computer scanned version of the wrapping paper. The star on top of the box, part of a gift from my friend, Abigail Albrecht, symbolizes my namesake, Sojourner Truth, whose dying words were, “I’m going home like a shooting star”.
Thanks for the help to Rod Rolle, Margaret Matson, and Tom Long.
AN OLD SONG
Sojourner Kincaid Rolle
I have no new voice
it is the same old voice
the voice of my mother
calling
for her daughter
captive of Kaleidoscopic mirrors
the voice of her mother crying
for her daughters
lost
in the mill village
singing for the hill pople
dancing for nickels
Old as the voice of her
mother screaming for
daughters taller than
herself tall as the
Carolina pines taller
than her predators
tall enough to speak
above heads of
inferiors old as
the voice of her mother
singing from the deep
recesses of her humming
heart deep where
the memory began
to be played over
for the forgetting
Narcissism, Me, Me, Me, etc.
My box is titled ‘Narcissism, Me, Me, Me, etc.’ because I live in the dream capital of the world where appearance is paramount, and hope springs eternal.
According to the myth of Pandora, when the winged souls, the 10,000 woes, the spites that plagued mankind, were released by Pandora from the jar, only HOPE was left behind in the jar, and it was delusive HOPE that discouraged the mortals, through her lies, from committing a general suicide.
Because I live in Los Angeles, California, surrounded by vain, foolish, mischievous, idle and beautiful women, such as Pandora, I felt compelled to turn my box into an anti-feminist statement, that Pandora would have appreciated.
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Mother’s Love
A Mother’s Everlasting Love
From that very first breath we take
That first moment when we awake
We feel the warmth of her embrace
See the wondrous smile on her face
Through the years of joy and sadness too
She’s always there to comfort you
When time then comes to leave the nest
She’ll miss us knowing it’s for the best.
When her turn comes, her job now done
She’s cared for you and everyone
Within that treasured family
Her love continues for you and me.
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Life is like hills. It is sometimes difficult or sometimes easy, ups and downs like these hills that I drew. Down hill, up hill, changing even in color.
Open 2050
Nazi Gold
Suffering
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Virus Box
Life
Nest
My grandmother gave me a necklace with a mustard seed enclosed in plastic when I was a young girl. She told me about faith. Having faith in God, in life, in myself, and if I had faith the size of a mustard seed I would be all right. I remember her often, especially during hard times, when it is so hard to have faith; but, maybe, faith only has to be the size of a mustard seed.
The mustard seed is enclosed in resin, in a nest of words, from an old sacred book of poems about love and life, sitting on a spring…waiting.
On the Way to the Rodeo
Lettuce Revolution
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Alice Waters, OWNER, CHEZ PANISSE RESTAURANT AND CAFÉ; FOUNDER OF THE CHEZ PANISSE FOUNDATION, THE EDIBLE SCHOOLYARD PROJECT and Dianna Cohen, ARTIST
“We need a revolution, a delicious revolution, that will induce children — in a pleasurable way to think critically about what they eat.” Alice Waters
Within the Edible Schoolyard project, Alice is teaching us all by demonstration, that we are what we eat. She creates a sense of community and our interconnectedness. These are values that I hold high and attempt to eschew and embody in my work in a more formal way as compositions made up of disparate parts joined together to form a whole.
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Kate’s World
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Kate McIsaac ,1ST LIEUTENANT, U.S. ARMY and Laura Klein, ARTIST
Kate McIsaac just celebrated her 30th birthday in Baqubah, Iraq. She is a 1st Lieutenant in the Army, serving in OIF IV – V at FOB Warhorse as a postal officer. Her unit is from Long Beach, California.
She is also a first-year law student at Whittier Law School in Costa Mesa and will either go into criminal law or First Amendment Libel law. Libel law is near and dear to her heart.
Kate also has a degree in Journalism and worked as a journalist for several years.
The Dance of Life
Artist from India
The box represents the oceans and earth, embellished with the symbol Om; this is the sound of our breath or Pranava. Inside, gold dust is the precious earth we must cherish, upon which Natraj, the Lord of Dance, dances the dance of life. On the lid, is Hukam हुकम.
I seek the blessings of the Tibetan prayer flags, the vibrational frequency of Om, and the sheer liberation of Hukum (surrender) to continue this dance with intention and purpose. The Tibetan flags carry our prayers via the wind to get them answered. The flags represent the five elements. White flags symbolize clouds, red for fire, green for water, yellow for earth, and blue for the sky. The mantras spread positive energy wherever they are.
Om- The sacred syllable
Mani- Jewel
Padme- Lotus
Hum- Spirit of enlightenment
A box of stories
Artist from India
This is a box of stories- stories of how these women have inspired me, directly or indirectly. It is also full of ghosts-countless nameless/faceless other females who through their words or actions kindle our desire to tackle our Deepest Fears, prompt us to Brave the Wilderness or galvanize us into action. It is through them that I have learned to respect strength, not power; value the lotus-like ability to thrive in muddy waters and appreciate all that I have. Because I have so much… Most of all, I have the company of these brave souls.
Bringing all of my Life Experiences to the Public Table
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Rep. Anna Eshoo, CONGRESSWOMAN FROM CALIFORNIA and Laura Deem, ARTIST
Anna Eshoo’s life experiences have helped to shape her into the person she is today and the way that she represents her constituents in Congress. Her role as a parent, daughter, wife, student, teacher, woman, caretaker and friend have all come into play.
The handwritten slips of paper contain Anna’s private thoughts, memories and experiences. These personal topics feed into a “public table”. This public table is a communal meeting place that houses issues, projects and policies with which Anna Eshoo is involved as a Congresswoman.
The objects represent both the private and public world. Combined they weave together an individual narrative of the many hats that we wear, the experiences that accompany them, and the ones we chose to share with the rest of the world.
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Transitive / Transform
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Joan Ling, INNOVATOR AND ADVOCATE FOR AFFORDABLE HOUSING IN SOUTHERN CALIFORNIA and Ann Lindbeck, ARTIST
Contents of Trunk:
A letter ordering lumber by Pablo Neruda
Accordian landscape
Key to a China trunk
Map of California
Map of China
Architectural drawing
Squirrel Pie
Culver City High School, Grade 11.
It doesn’t matter who you are and where you live, it’s what you make of it.
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Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Susan Leal, GENERAL MANAGER, SAN FRANCISCO PUBLIC UTILITIES COMMISSION and Inge Infante, ARTIST
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War Box
Since time began, mothers have nurtured, loved, taught, protected, cherished and raised their babies, then watched them grow to be killed in war or by war. This inevitable cycle will repeat itself for untold generations unless our mothers’ universal plea to Stop The Killing results in WAR NO MORE!
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Children Beyond Borders. VSA Arts.
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Children Beyond Borders. VSA Arts.
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Children Beyond Borders. VSA Arts.
Seasons
New Soul-Sole
As I move through this life I have…
Change has always been inevitable in these short years since I was born. I have re-invented, moved, transformed. Each time I fly high up in the sky, I look down imagining what will come. When I arrive at these new places, I resole my soul and begin walking.
Celebration of Beauty
My box celebrates the beauty of women. The jewelry box, a classic symbol of femininity, is elegant and beautiful as is the women rising out of it. She is transparent as air and looking at her, you see your beautiful self reflected in the mirror. A universal woman, she is not confined to the box, but rising out of it. She and the mirror remind us that no matter who we are, our age, race, color, size, economic standing or physical ability, we are all beautiful.
Sor Juana
Sor Juana Ines De La Cruz was a 16th century Mexican nun. Not only was she one of the greatest poets and playwrights of her time, she was also the first person on this continent to argue in writing for the rights of women to be educated.
In Sor Juana’s time, a girl had only two real choices: she could marry or she could join a convent. Juana was illegitimate and had no father to pay her dowry, so marriage to a wealthy man who might foster her deep love for knowledge was out of the question. Marriage to a poor man would end her education, so reluctantly she joined a convent. In her convent she had extensive free time which allowed her to continue her studies.
Although she was not allowed to leave the convent, she was allowed visitors and many important people came regularly to visit this brilliant woman. She became quite famous and her books were bestsellers in Spain.
Defying the Inquisition and the profoundly patriarchal world she lived in, she filled her room with over 4000 books and wrote voluminously, particularly poetry. Later in life, she was threatened into silence by the male Church hierarchy and forced to sign a statement of repentance.
Her final days were spent caring for the poor, and she died after she gave up writing while caring for her sisters during a plague.
In her room was a sign that she had not completely surrendered; an unfinished poem, carefully hidden.
Shattered Dreams
The Little Engine That Could
When I received the box I thought, “Why me? I’m not an artist”, but the box itself intrigued me. I loved its fragrance, its smooth lines and the fact that it could hold my secrets or be open with the story I wanted to tell. Almost immediately, the box became a train for me.
Growing up in Denmark I was very familiar with fairy tales, and I thought the train would become part of my own fairy tale. But as I worked on the train, it took on the intensity of the American children’s book, The Little Engine That Could.
I came to the United States when I was twenty-one years old with the dream in my heart that I could start my life over again. And I could. And I did. I am a wife to a wonderful husband, I have two beautiful grown children who love me. After years as a psychotherapist and consultant, I decided to become a toffee maker. It gives me great joy to create something sweet that brings joy to so many people.
After the train was finished I was on board as The Queen of Toffee, waving to the crowd. I was right back in my Danish fairy tale where I had started out, and I think I’ll stay there.
Leaving the Nest
jumbled, preserved
leaving, changing, growing
blown away, chaotic, frightened, shattered
exhilarated, hopeful, remembering, loved
shaping, moving, forming
fragile, strong
nest
Box Camera
Box Camera reflects our life-long commitment to the photographic arts from traditional to digital. It is an homage to earlier technical forms of imaging.
The tintype of the woman with books hints at Penny’s profession as a librarian and bookseller and incorporates the idea of educating women to expand their boundaries. Photography is a universal language crossing all borders.
Disappearance of Painting
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Global Vision
As a child, I lived in Europe for several years, enabling me to feel connected to other peoples, languages and customs. Always collecting objects from my travels at a young age, I was preparing to become the artist I am now – an assembler of a great variety of objects, textures and colors.
My goal from an early age was to “become a part of all I have met.” Living in California for most of my adult life it has been easy for me to experience aspects of many cultures, as so many people from all over the world live here.
My box is very much about a global view. I chose international postage stamps, with images of women, to cover the box. The “I/EYE scroll” contained within the box includes my quote from above and images of the human eye which approximate the shape of our planet.
I feel that Women beyond borders is first and foremost an expression of clear and profound communication between cultures – a communication that I know will enrich and inspire the lives of many of the women who are participating for many years to come.
I look forward to the new friendships that will be created as a result of our efforts.
A Portable Muse
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GRRRLS Teen Box Project.
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The Mask of Fertility
In Memoriam
Shadow Box
Nostalgia
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The scrolls contain the following of my poems in free letter distribution:
Enfold
the planet earth
world-encompassing
make it resound
with the small
and stammering voice
with the stammering
and gathering call
with the word
that was in the beginning
and worked with the breath
of regeneration
within you and me
enfold the planet earth
And do not forget the animals
our wordless siblings
do not betray them
for they crave justice
just as we do
return their dignity
return their rights of life
to them only thus may
the secret of human being
be rediscovered
as a light in the darkness
in the name of all
that lives and breathes
do not forget the animals
our wordless siblings
do not betray and market them
take not their dignity
away from them
Our World
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I treated the box as an objet trouve, a modest thing with some forgotten purpose in its past. Upon being discovered, it brings to mind associations, and memories which unfold and spread out when the box is opened. Part object, part landscape, the image within the box does not recall a specific locus; rather, it reminds us of things that we know are memories. But these are stored in such distant lands that they cannot be conjured, they can only be gazed over.
Woman, Bird, Wind
Six Interconnecting Planes Of Carbon – One Diamond
I wanted to eradicate the borders of the box and create an open field, so I took the lid and four sides off and placed them flat. I then reconnected each rectangle to the other from the back by using black velvet for hinges. Once I had this field of interconnecting planes, I thought about how over time, the possibility lies the hope for the future. I then burned the field of interconnecting planes, turning the wood to carbon. Within the central rectangle (that had been the bottom of the inside of the box). I inlaid a diamond to demonstrate the reality of evolution. The piece is to be either hung or placed flat, IN THE HORIZONTAL CONFIGURATION AND NOT vertically. This is quite intentional to allow for a broader reading than a figurative (totem) placement would permit and is, I believe, visually more consistent with the concept.
Grass Roots
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Judy Kleinberg, MAYOR OF PALO ALTO and Sharon Chinen, ARTIST.
The mayor’s interest in growing a healthy community is represented in the roots of this piece. The box is filled with the soil of Palo Alto, laid down as a rich foundation for the small red berries which represent the children of Palo Alto and education…two passions of Mayor Kleinberg. Our roles as women, teachers, caregivers, leaders — the flourishing community of which we are all a part — is finally represented by the blossoming trees that reach out to the world at large.
Emily’s Ideas
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Emily Harrison, ASSISTANT CITY MANAGER, CITY OF PALO ALTO and Renee Winick, ARTIST.
A government building is the architecture that delineates space and frames conversations.
In the confines of that structure, Emily Harrison devotes her time and boundless energy to developing new ideas and innovations.
For her, this process becomes an explosion of joy and excitement as if sparks were shooting out in an array of twists and turns, spiraling outward, and beyond.
Open Me!
Fire in the Belly
Mother’s Endless Love
The Childhood
I spent my childhood hiding in yellow rice in the beautiful sun-filled countryside, cheerfully crying out for an egg in a straw mat or discovering shiny shells.
The memories are carefully retained since that distant time.
Conjugation Between Earth and Sky
It is commonly known that in order to survive, blossom and continue the course of nature, it is necessary to intervene with our surrounding habitats. This lid symbolizes the ever lasting sky and its thousands and thousands of living species that are endangered by daily air pollution. The bottom represents our earth, life and death, the moments of glory, agonies of defeat, and on going war and peace.
Between this conjugation, we define sacred love for human beings and nature, our dreams and desires to fulfill a glorious and promising future.
In the end, conjugations of any type: earth and sky, man and nature or man and its kind must be cared for and preserved. The lack of attention to this contributes to the heavy consequences that we face today: the holes in our ozone, the wars and its death toll, last but not least the AIDS epidemic.
Hot Dog
Age 3
Bali Spirit
The box is covered in a black and white check cloth which together with the red thread gives us the following: red, white and black, together with a Chinese coin as used in balinese traditions.
The significance is:
The cloth covering the box is a symbol of this world in which there are always two opposites, for example: day/night; good/evil; rich/poor; etc.
The round coin with a hole signifies that life is never ending and the world is always turning.
The three colours represent the three great Gods called “have the meaning: dengan adanya TRI MURTI. Each of these three Gods have their own characteristics, which are:
– Dewa Brahma is represented by fire which is a creative force. Everything in nature is represented by the red colour.
– Dewa Wisnu the God of water, protects the contents of our natural world and His colour is black
– Dewa Siwa, the Wind, is the Destroyer, whose colour is white.
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Geometry: To measure or survey the earth. A branch of mathematics that deals with the measurement, properties and relationships of points, lines, angles, surfaces and solids.
I decided that from these definition, to figuratively talk about the emptiness and its outer limits. The possibilities of connection and/or communication therein. Self-confinement and solitude. Intolerance.
My work is a product of my constant preoccupation about the quality of our lives. A continuous analysis and search of confrontation – questioning.
Therefore, in my work one should be able to see the structure, shape, feel the materials, and most importantly, the reason behind it.
A work that occupies at the same time a space and another more subjective one.
The analysis should not stop at the level of the elements that constitute my work, but should further try to see, or feel what links keep it together.
Those links give the various elements their true meaning, their reason to be and why they occupy such space in that order… and how they change in the mind of the viewer, thus becoming a silent accomplice of the artist.
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Geometry: To measure or survey the earth. A branch of mathematics that deals with the measurement, properties and relationships of points, lines, angles, surfaces and solids.
I decided that from these definition, to figuratively talk about the emptiness and its outer limits. The possibilities of connection and/or communication therein. Self-confinement and solitude. Intolerance.
My work is a product of my constant preoccupation about the quality of our lives. A continuous analysis and search of confrontation – questioning.
Therefore, in my work one should be able to see the structure, shape, feel the materials, and most importantly, the reason behind it.
A work that occupies at the same time a space and another more subjective one.
The analysis should not stop at the level of the elements that constitute my work, but should further try to see, or feel what links keep it together.
Those links give the various elements their true meaning, their reason to be and why they occupy such space in that order… and how they change in the mind of the viewer, thus becoming a silent accomplice of the artist.
Drvo-Tree
Process of creating this wooden box is returned to its beginning. The earth is in the box and the seed of the tree is in that earth. My contribution to fight the international destruction of floral life.
Women’s Movement…
Pride of the Womb
Forging ahead in the women’s movement does not mean women fighting against their unique physical inheritance. It means uplifting themselves into more exalted positions as women.
Atlas
Woman Emerging
The Dream Boat
Once, I saw a fishing boat speeding through the waves of the sea. The foam beat against the sides of the boat and splashed up into the air. I watched the scene attentively and believed that the fisherman going to the sea in that boat must have brought with him a dream, a hope for a good haul of fish that day.
Remembering the scene, I have crafted a white model boat made from thin threads of white glue, which also create an illusion of foam floating in the air. I name it The Dream Boat. I hope that in the near future there is no war, no famine, and that no one will suffer from poverty, children will enjoy more care and attention, women will receive equal status and more recognition and that the deadly disease AIDS will be wiped out so that it would no longer destroy lives.
Those are my dreams and my boat is the vessel carrying those dreams along for an everlasting world peace.
Un Tiempo Interior
The Mummified Stone Heart
The central focus is a very special stone heart found on the Pacific coast at the equator. It has an uncommon green color. a heart with many scars. Once it was split, but love was able to hold it together and unify what had been separated.
Sorrow leaves wounds; joy brings peace.
This heart has found its peace.
Its wounds have healed.
The purpose of life was fulfilled; the eternal cycle of birth to life and death to a new life.
This heart has been embalmed; first if has been cleaned from all perishables.
The nucleus remained, one with the nature.
For women all over the world and over all times it might be a symbol for love;
isn’t the woman love’s keeper?
Love is immortal.
Faith and hope in the victory of love might be the symbol of humankind in the next millennium.
NOTE: This embalmed heart has been wrapped with golden ribbons, placed on a plate of slate from the Andes, and bedded in a stone sarcophagus. The feather of a white swan symbolizes the purity of the heart. As grave goods, there are two sealed papyrus rolls perpetuating the heart’s qualities. This project contains symbols from four different continents (America, Asia, Europe, Africa).
Trust the White Rabbit
circle
saw
circular saw
see
saw
Marjorie Daw
door open
open open
open spaces
open space is
blue
circle
red
square
read somewhere
hole
reflects
me
wholly
reflects
whole
complete
perfect
circle
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I Want a Baby
Eva Travels
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Present
pres-ent adj. being, existing, or occurring at this time or now
pres-ent adj. being before the mind
pres-ent n. the present time
pres-ent n. something given or received as a gift
pres-ent v. to give as a gift or award, to offer for acceptance
pres-ent v. to show, to reveal
Claw
Portrait of an Artist as a Box
A box is a metaphor for open and closed, the inside and the outside, two terms upon which alienation is founded. My work becomes at once the physical and the psychological space in which I face the alienation brought on by the play of dichotomies that hinder the search for identity and the possibility of its realization. The box becomes the self, inside-outside. The nails are symbolic of manly attire with weapon, the nail as phallus, the nail as material nature, the nail as primitive ancestral device, and also as the piercing eye. Finally, the wall of nails echoes the brutality of our surroundings.
Inside, the place of the jewel, the vagina: we find but broken glass in a sky-like space: My innards can be broken, my psyche raped by the conqueror, the violent, the oppressor, but the immensity of my mind remains untouched.
Viaje En La Memoria
Garden of Eden – The Last Apple
Hope Chest
If wishes were horses, then little girls would ride… we bind ourselves with chains of obligations, decorate our selves with symbols of the things we cherish, the very things that tie us to life and yet keep us from our frivolous dreams.
A Moroccan Bath
I have always been fascinated with texture. On my travels I photograph details in architecture and local objects which I then bring back to the studio and recreate on canvas. The paintings I show in my exhibitions revolve around the theme of texture, color and architecture. When I received the box, I was challenged with the sculptural object which turned into a base that used tile in various shades and was inspired by them for this particular project. To add a little humor, I added the bather relaxing with her arms in the air taking in the moment.
Heroines
I am personally concerned with spiritual and creative identity through the abstract form. I find that creating many layers in my paintings builds a foundation or history of the statement I am trying to make. I want to obliterate as much traditional form as I can, yet still evoke images through layers of paint, glazed, and stains.
Painting, for me, can be a very lonely and difficult process. It is also exhilarating. In my personal experience I find that painting is the most powerful expression of my life and a most satisfying way to express my own humanity.
Break Water
Borders are changing lines on our world’s map that demarcate culture, land, time, history, ethnicity. These are intellectual separations, but the older physical lines of division are also lines of connection- the oceans that separate us, join us. Water is the vehicle for life- our food, our bodies, our planet. Women share the experience of our body’s potential to transmit new life. Our female bodies are both the source of our common oppression and transcendence. Break Water recalls the moment that proceeds birth. The image is simultaneously bound and released, evoking change, possibility, destruction, hope. I have included materials from previous works; a Xerox transfer image of a rope sculpture I made across a rotten East River pier in New York City, and two eggs which I collected in Brazil during a women’s collaborative show. These are symbolic “births” of new ideas and images that women artists are collectively making to Break Water and change the marks that divide us.
Untitled
Age 6
Damagua
Piel Vacía
Following Examples: An Exhibition
Because I am a curator and not an artist, I decided to organize a miniature show for Women Beyond Borders. The 10 featured artists were given a dimension of 1-1/4 x 2-3/4 inches and told to make something flat. The visual artists I invited are people whose work, lives and friendships have inspired and informed my life in a meaningful way. This is an extremely personal project and I wish I could have included something by all the others whose creative lives have proven to be exceptional examples to follow.
Barbara Berk
Angie Bray
Karen Brown
Jacqueline Cooper
Eileen Cowin
Kim Cridler
Kathy Haddad
Danielle Imperiale
Sari Roden
Liza Ryan
Women’s History/Prehistory
Black Box- Hidden Wisdom, what we know and have forgotten
Black Stone- For the Great Black Magma Mother
Opening Book- History of Women’s Mysteries, linked one to another, through our Blood, through Time.
Images are not designed to explain, but to expand awareness.
Flor de Canela
My box is an expression of myself. Now others will know who I really am.
I did not have an original box, but built a bigger one with my husband. All objects and photos are symbolic.
A Prayer for Transformation
Beyond destruction, jealousy, rage, hatred, separation, revenge.
Toward creation, compassion, reconciliation, transformation.
Apricot Box
From childhood through adulthood- fairy tales, myths, and even nursery rhymes follow us about, shaping us, forming us. At an early age, we learn that beauty equals good, and ugliness equals bad. We also learn something about the narrow range that is supposed to define a woman’s safety zone.
Miss Muffet sits and minds her manners, and even then, is frightened away by a spider, while Little Jack Horner gets to stick his thumb in the middle of a pie, pull out a plum, and thinks to call himself a good boy for having done so.
Apricot Box is about women reclaiming for themselves, the ripe, fruity, fragrant, luscious parts of ourselves, and about little girls, never losing it.
Re:Mapping
When I was asked to create a box for this project, I wanted to use ideas and images representing the spirit behind Women Beyond Borders. I found a 1957 atlas with a world map and an accompanying text, which are very anachronistic relics of the Cold War era. More than 40 years later we have seen a myriad of changes in borders resulting from our late 20th century, capitalist, post-colonial, multi-national, global politics. More importantly, we know only too well the tragedies that have ensued when multitudes of human beings are displaced and dislocated from their homes and homelands.
On this box I attempt to re-map the world to show the arbitrary and contrived nature of geo-political borders. While many countries appear as they are today, some nations no longer exist and others have yet to be established. I have tried to de-contextualize the borders to remind us how they are always in flux. Inside the box is an idealistic and paternalistic text fragment from the atlas, a bittersweet reminder of a 1950’s American dream that has all but collapsed as we approach the year 2000. The text on the lid is my own bit of wishful thinking: Even though boundaries will undoubtedly persist to exist, hopefully they will not continue to prevent us from moving freely across borders.
Letting It All Hang Out
This box is sort of a self-portrait. It is about me, anyway. It represents some of the things inside of me that I like, get pleasure from, are positive and good, and that I am grateful for in my life. It’s a celebration.
Millennium Box
!
Box, Necklace, and Bracelet
Cancer
In the past
people asked me
sometimes
what is your sign
and I said
cancer
because I was born
on the 6th of July.
Now I got the disease
or the disease got me
and I hate
this word:
cancer.
I lost my hair
I lost my breast
and I may lose
my life-
who knows-to
cancer.
But I am not alone
185,000 women a year
are getting it and
we are all asking why
cancer
Why all the poison
in our food, our water,
our air, what did we
do to nature, where
is the F.D.A.? It is not
only tobacco which is
killing us. How can we
fight the enemy
cancer?
Este el es Misterio # 2
My Granny Box
To all the silent angels
Who support and nourish us,
That we may soar!
Cat Box
Perceive Purity
A Prayer for Lan
Es Mi Cuerpo
For Frida
Song From the Earth
My work celebrates the Native American philosophy of centering one’s life in the natural world. This is both a conscious and instinctual commitment. Rather than illustrate this idea, I use materials to suggest our relationship to the earth.
On the brink of the new millennium, let us all be mindful of celebrating and preserving the earth’s gifts. This should be a universal concern.
Untitled
Yet Another #2 – Chain of Events
Pandora’s Box
With color I transform the construction into a different structure. It is a practice which I apply in my work. The colors are those of springtime when the green has a radiance of the new-born. That’s why I could say that this box is the beginning of life, but it could be also the end. For me this is a profound meaning of Pandora’s box.
The Wells of the Virgins
The mysteries of Eleusis, is the theme I have been working on since 1992. It is about a long research I have been doing on forgotten rites and their symbolism. An endeavor based on the writings of ancients and also of contemporaries on Greek art. The fertility of the earth-womb and children’s tomb symbolized by the well, which encloses the water of life, the water that purifies, but also fecunds, is inseparable from the earth. The archetypal image of the mother/daughter, Demeter and Persephone as identical characters. As well as Persephone’s ravishment by Hades, refers to the sexual act and to marriage. Finally, its descent and raising represent death and resurrection. Always assumed, the unknown rites have to be imagined…
A Cage Too Small (Ideally Make a Much Larger One)
Love
My aim was to transform the cold sterile box, by covering it and filling it with love.
On the outside: What could be richer and warmer than a mothers love for her new baby?
On the inside: What could be lighter and brighter than the spiritual love awakened at time of birth?
Untitled
Half Breed
Demon Seed
Memorial
Pandora’s Bomb
Beyond Bounds and Borders
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Barbro Sachs-Osher, CONSUL GENERAL OF SWEDEN IN SAN FRANCISCO, CHAIRMAN OF THE BOARD FOR THE BERNARD OSHER FOUNDATION and Ulla de Larios, ARTIST
This box honors Barbro Sachs-Osher whose generosity goes beyond bounds and borders.
Fecundity
The Shape of Silence
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Dr. Sara Bunting, SILICON VALLEY INTERNIST and Tess Sinclair, ARTIST
“We hear the rain, but not the snow. A day well lived must know the shape of silence.” –K. Nerburn
Competent. Dedicated. Compassionate. Multitasking… Exhausted.
So many women from so many different circumstances live these words. Women are tenderly caring for those in their stead, watching and vigilant for sounds of an aching heart. Dr. Sara Bunting is one such woman. And she is tired.
Reclaiming time for recreation…re-creation and solitude is the task awaiting us. Take time to know the shape of silence.
Come on Breathe!
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Dolores Huerta, SOCIAL ACTIVIST, LABOR LEADER AND CO-FOUNDER OF UNITED FARM WORKERS
Grace Elizabeth Davis, WRITER, MOTHER AND MARATHON RUNNER
These trophies are awards to the plights that we face as women.
Dolores Huerta wanted to help her students who came to class barefoot and hungry. Through her community work she co-founded the United Farm Workers Union. At 76 years old she continues to lecture and lobby for the UFW, a model used by global labor unions as a testimony to the rights of workers.
Grace Davis, writer/runner/mother, known for “Katrina Relief” brought aid to the hurricane victims of New Orleans, the first to use blogging as a medium in disaster relief.
In our endeavors, our lives can be in danger, our pasts can haunt us, our vulnerabilities can be exposed.
Unselfishly, women strive to be all things to everyone; we endure the odds guided by our passion to care for our world families.
State of Grace
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Grace Elizabeth Davis, WRITER, MOTHER AND MARATHON RUNNER and Terry Acebo Davis, ARTIST
These trophies are awards to the plights that we face as women.
Grace Davis, writer/runner/mother, known for “Katrina Relief” brought aid to the hurricane victims of New Orleans, the first to use blogging as a medium in disaster relief.
In our endeavors, our lives can be in danger, our pasts can haunt us, our vulnerabilities can be exposed.
Unselfishly, women strive to be all things to everyone; we endure the odds guided by our passion to care for our world families.
Dolores Huerta: Social Activist, Labor Leader, and Founder of United Farm Workers
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Dolores Huerta, SOCIAL ACTIVIST, LABOR LEADER AND CO-FOUNDER OF UNITED FARM WORKERS and Terry Acebo Davis, ARTIST
These trophies are awards to the plights that we face as women.
Dolores Huerta wanted to help her students who came to class barefoot and hungry. Through her community work she co-founded the United Farm Workers Union. At 76 years old she continues to lecture and lobby for the UFW, a model used by global labor unions as a testimony to the rights of workers.
In our endeavors, our lives can be in danger, our pasts can haunt us, our vulnerabilities can be exposed.
Unselfishly, women strive to be all things to everyone; we endure the odds guided by our passion to care for our world families.
Life After
Family Positives and Negatives
Inner Space
Ambient Light
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Amy Reisenbach, DIRECTOR OF CURRENT PROGRAMMING FOR CBS PARAMOUNT TELEVISION and Sukey Bryan, ARTIST
When Amy and I talked on the phone, I was very moved by her embrace of the people around her, her enjoyment of her work, and pleasure she gets from being in nature. A significant experience that we hold in common is that we have both lived through the death of members of our immediate families. Several times she said, “Don’t take things for granted”.
I covered the entire box with an image of water, an ever-changing and unpredictable source of life — as a metaphor of awareness and appreciation of the life and lives that surrounds us. The inside of the box and the inside of the lid are gold like the constant inner self that reflects light.
Memory
This box is about memory. The interior, the little empty scarlet sarcophagus, symbolizes that which is memorized, which can never be recaptured exactly; the red on the outside is only an echo, and is overlaid, confused, obscured, and changed by later colors. I mourn the loss of that intimate vermilion promise.
I am a painter and a writer, and for the past four years I have been writing a large biography, of a couple whose lives overlapped with mine, though I never met them. I have spent these years sifting other people’s memories, both written and spoken, in pursuit of the exact, impossible hue of my subjects’ lives. This, too, is represented here.
I have only one chance. My box sails out across the waters of the world. Bon voyage, box. I’ll remember you.
Untitled
Old Country New World
Pandora’s Box
Piano
Rewind and Understand
The theme I am using for this box is the notion of self-exploration. Society has become chaotic and volatile. One must look within and access their own position. It is only then can one figure out their meaning in the scheme of things.
The theme depicted by the box represents a journey. This incorporates the spiritual, the physical, and psychological dimensions. The function of the box serves as a medium for self-realization.
The blurred box cover represents how people are finding an inner-spirit and harmony. It is unclear and difficult to define. Once we search in between the lines– the torn lining, clarity may be achieved.
Once the box is opened, all becomes clear. Lucidity is found in the “blurred words”. The engraved message is re-written in clear legible writing. This represents the move from inner confusion to understanding.
Human beings constitute a fragmented whole. This implies an elusiveness about human nature and its expression. Without questions, where is individuality? The liberation of the “self” allows change, progress. With rigorous self examination, pieces of the “puzzle of life” penetrate the surface. The box is an example of this.
Women have access to their feelings. They are allowed to “own” them. Possession of thoughts, ideas, dreams are what this box characterizes. If we look back (rewind) we can understand why we are the way we are. The journey continues…..
Map-Labyrinth
I opened the box’s door, I took off its top and I glued it to the bottom part to be a pedestal. Then I painted the whole box in white and sealed it, following its shape with pieces of Plexiglas, on which appear (through the method of décollage that I have been using since 1974) fragmented images which constitute my labyrinths. By this symbolic gesture of encasement and transparency, I hide away forever and protect the most precious feeling that remains buried at the bottom of this box since the time of Pandora; Hope.
Dispelling the Cinderella Myth
For all the girls growing up today:
A Pumpkin, Six White Mice,
and a Pair of Glass Slippers Just Won’t Do.
Dedicated to Mindy Bingham and Sandy Stryker.
Monument to the 20th Century
Separation
April 1975, Vietnam: Everyone knows the communists will over run Saigon, but no one expected it to happen so fast. Over the last month the sound of gunfire and explosions have slowly increased in frequency and force. We are so used to it that it has become a sort of background noise no one pays any attention to. Despite this I remember waking on April 30th, alarmed at how close the sound of gun-fire and explosions was to our neighborhood. The city was in chaos, dark smoke blanketed the horizon as people ran with whatever belonging they could carry. But as I watched it seemed that very few had any idea of where to go.
My family and I hurriedly packed some clothes and fled to a friends house in another part of the city called Cho-Lon which was safer. We could no longer stay in our home because it was near an army camp and therefore dangerous. My father was not with us because he and my mother had separated years earlier. Adding to our anxiety was a rumor that the communists have threatened to flatten Saigon if there is resistance. By noon the presidential palace had fallen and we knew it was all over. I was only 7 years old at the time and did not realize how bad the situation was, so I innocently told my mom that now Vietnam will be one country again so she can go back to North Vietnam to see grandmother. My mom was delighted with the thought.
Later that afternoon we drove to the harbor to see what was going on since the radio station had been captured by the communist and we no longer were getting any news. As we drove around the streets were now completely deserted and an strange silence had fallen on the city. The only people we saw were a few people left still burning records and documents in front of some government and military installations. More ominous was the fact that in the harbor most of the navy and merchant ships had already left. I asked my mom what was going on but she seemed lost in her thoughts, maybe she was thinking of the harsh choice she would soon have to make.
My uncle and his wife had been staying one step ahead of the communists since they fled the central highlands. Because of the speed of the communist advance, the roads were jammed with refugees fleeing south making progress impossible for vehicles. Even though they did not want to be separated, my uncle was forced to put his wife on one of the boats heading to Saigon because she was pregnant and would never be able to keep up on foot. When he finally made it to Saigon a few weeks later, he found out that his wife has not arrived and not knowing where she was or what else to do, decided to stay with us in hope that she would find him. Later we learned that the boat she was on had unexpectedly dropped everyone, including his wife, off at Cam Ranh Bay (another city in the central highlands) to go back north for more refugees. My poor aunt was unable to find a way to get to Saigon until after the fighting was over and escape was impossible.
Meanwhile for the rest of us, time was running out. We knew that if we were going to leave it had to be now. We waved down one of the few remaining navy boats which was headed out to sea but stopped to pick us up. At this time not everyone was willing to escape by boat so while it was crowded, there was none of the panic and fighting such as I saw in the photos taken at the American Embassy that day as the last helicopters were leaving. The gun-fire was getting closer and my uncle was torn between staying to look for his wife and escaping, he was worried that he and his wife would face retribution if he stayed because he had been in the army. My mother was hesitant to get on board because she had to choose between leaving with us or staying so that she could see her mother for the first time since 1954 when north and south Vietnam were separated. Finally she decided to stay and promised to find us after the war ended. As the boat pulled away I can still remember my mother standing on the dock, crying and waving to us. I was yelling : “Stop the boat, go back and get my mom”, but it was too late. In those few minutes my family was torn apart and for last time I saw Vietnam. As my mother watched the boat leaving with her children she was overcome with grief and changed her mind. Desperately she stood at the dock for five hours waiting for another boat to take her out to our ship, but none came.
On the way out of Saigon, we saw hundreds of returning boats and some of them warned us not to go on because troops were shooting at any boats trying to escape to the open sea. The people on our boat were very determined and decided to take their chances and leave.
Many of the boats we saw leaving were severely overloaded and one of the ships had run aground in shallow water. Our smaller boat pulled alongside the old, rust streaked ship and an agreement was reached that everyone who wanted to could transfer from our boat to the ship, and in return our boat would help pull the ship into deeper water. After struggling for three or four hours both vessels finally reached deep water and all passengers were transferred. The small boat turned back toward Saigon, taking a few people who had changed their minds and decided to go back. The ship, even more overcrowded than before slowly headed out to the open ocean for the long dangerous voyage ahead. Even though we had made it out of Saigon there was no celebrating, everyone was dwelling on what they had left behind and what the uncertain future would hold. That night was pitch black, there were no lights on our ship or on shore. We watched fireworks shooting up from the coastal villages into the dark sky. The communists were celebrating their victory and we could hear one of the generals broadcasting a new set of rules which he called ” the ten commandments “. These commandments were to govern life for those left behind in the new Vietnam. Our intended destination was Singapore and we slowly headed south. The weather was good and if it were not for the grim circumstances I might have been able to appreciate the beauty of the blue ocean and the small islands we passed. Once we saw some whales which terrified everyone because they were nearly as large as our ship and came very close. When I look back on the event, I think that everyone leaning over one side to watch the whales was more dangerous to the ship than the whales themselves.
Things started to go seriously wrong a couple of days into the journey when our engine broke down. I guess this was not very surprising considering how old and decrepit our ship was to start with. There were many more small boats from coastal villages followed us and dumping refugees onto our ship each day. The water started to coming in from an existing hole on the side of the hull of our ship which is now below the waterline because of the refugees’ weight. After drifting a few days, our food and water were running out, making an already bad situation very desperate. People started to fight over food and water. Everyone was being very careful to ration their water and food except for this popular singer from Saigon who would use a great deal of her small supply of water to wash her face each day. Obviously some people are more afraid of being unattractive than dying.
Everyone thought that we were going to die slowly and horribly, despair settled over the ship like a numbing fog. A man near me decided not to wait and shot himself in the head. I remember screaming when his blood and brain tissue splattering on me. On the crowded deck there was no where to store the body so there was no choice but to toss his body overboard and within minutes the sharks were fighting over it. As days passed, so great was my fear and loss that I felt neither hunger or thirst. My mind had cut off my ability to feel or comprehend what was happening around me, which was maybe a good thing considering what life was like onboard. Even though the ship was extremely overcrowded there was very little talking, everyone seemed wrapped up in their own misery. My brother and sister sat nearby crying and hugging each other. The crowding was so great that one night when I stood up to stretch, I found that I could no longer find a space to sit back down so I ended up standing the entire night until I collapsed. Having learned my lesson I did not get up again until we were rescued.
Despite our SOS signals and desperate attempts to get their attention, many ships passed us by without stopping but finally after floating what seemed like forever we were picked up by a Danish freighter out of Thailand on their way to Hong Kong. After being left by so many other ships, everyone was afraid that if we did not get onboard the freighter fast enough they would leave without us. Most of the people started to panic and there was a lot of pushing and shoving to get on board. Some fights even broke out and many passengers left their personal belongings behind in the mad rush. One man’s leg got crushed between the two ships when they collided into each other. Many others fell into the water and drowned during the rescued. By the time we were rescued, I could not move my legs because of sitting in one spot for so long; I had to be carried up to the freighter by one of the ship’s crew. That night as I was resting from my ordeal someone stole all the cash and jewelry that my mother had given me.
So when it was over all I had left of Vietnam were memories of people and places that had been left behind. For many years afterward, I would get angry when I thought about what had happened and what I lost. I was not angry at anyone in particular, rather I was angry how events and ideologies which I did not understand could take me from everything I knew and loved. After my mother and other members of my family have moved here recently, I finally have the chance once again to know the family I lost twenty years ago.
Holy Arc with Torah Scroll
Justica
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Julie Su, Esq., LITIGATION DIRECTOR, ASIAN PACIFIC AMERICAN LEGAL CENTER, RECIPIENT OF THE MACARTHUR GENIUS GRANT and Nancy White, ARTIST
Too often, we fail to think about where the clothes we wear actually come from. Clothes, like this necklace, are worn, but they are also made—made of fabric sewn together by human beings. Women workers are the faces behind the garments we wear, hidden as in this locket, invisible, yet upon closer examination, resilient, strong, able to rise up against exploitation and sweatshop conditions to raise one voice, in many languages, for justice.
Art Box
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Yvonne Banks, Owner of Art Consulting Services and Marie Hassett, artist.
Yvonne Banks is passionate about art! She has been instrumental in bridging the art world with the rest of our community for over 20 years as an art consultant and former gallery owner. Art Box is a tribute to her contributions. Her own vision and tireless energy strengthens her advice to young women, “You can do anything if you’re willing to work to get there.”
It was my pleasure to spend time with Yvonne sharing stories from our lives, finding commonality in our experiences as mothers, gardeners and lovers of art.
Framing Life, Memories, and Wisdom
Tajima. An artist and an extraordinary woman collaborate to create a box.
Susannah Malarkey, EXECUTIVE DIRECTOR OF THE TECHNOLOGY ALLIANCE OF WASHINGTON and MalPina Chan, ARTIST.
The form of the square frame suggests strength and solidity making it an appropriate metaphor for Susannah. From the first few moments of our initial conversation, we felt a connection as we shared memories about our mothers and daughters. Susannah’s feelings on “wise women who came before passing on and sharing their life’s lessons” and the notion of “tribal memories” serves as the inspiration for this piece.
Mamas and Papas
They fought for the soil, for the children to mourn on.
The Family Box
Croash Patrick
Time to talk to learn memories from the past
Pick up after the loss of some of my family
Hope in peace beneath the wings and carry me away from strife
Mother Ireland
This box as I first saw it started off as a “box nichili”, the more I analyzed it the more vague it became. But as I admired the perfect symmetry and beauty of this innocuous little box, we developed a very strong bond, and I knew I would be very loathe to part with it. It was this bonding that inspired my theme.
Mother Ireland bore her children in the knowledge that emigration was inevitable. The egg represents the womb, with the never to be severed umbilical cords spreading out to all parts of the world and generation after generation respecting and remembering their roots.
I shall never forget you my “bosca bag”, and I sincerely hope wheresoever your sojourn takes you, you will be my “box popoli”, “vox humana”.
Slan agus beannacht my little wooden friend.
Tread Carefully
I have attempted to interpret the fragility of human nature, the openness and the trust which gradually closes from fear and self preservation. “Remember The Day Someone Gave You A Chance” is from a non violence poster, in it a lid had lifted from a jar and a butterfly flew free, free from fear, free to dream, to imagine, to love and to be loved.
Floating in My Void
I look at the space around and expand to the infinite
All my senses curve in delight as I grow in the vacuum of non-event
Non-happening, non-existence.
I occupy the blue vastness of my dreams and become
Fatherless, motherless, a virtual Non-Being.
A hole in the lining of man’s memory.
A mere flight of particles liberated from density.
A definite escape.
And in the pulsating silence, I finally lift Isis’ veil…
The Encrypted Future
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
PHYLLIS CAMBPBELL, PRESIDENT AND CEO OF THE SEATTLE FOUNDATION
Right angles are only made by human beings. And if one thinks of the ultimate object created, one is led to the computer and its binary innards.
The dots on the unpainted, rectangular box are like the zeroes and ones used to create software. The disks represent programs which have strategies for solving problems of all dimensions, from local to global levels.
The box is about hope in the computer, that it will be able to help humanity.
My Kiln
Pyrometric cones play an important role in the process of making my ceramic sculpture. Although there are sophisticated instruments to measure temperature in a kiln, the cones are a more reliable indicator of the effect of TIME and HEAT on ceramic materials. The simple cone-shaped forms, each calibrated to melt at a specific temperature, can be observed through a peephole in the kiln door during a firing. As the cones bend, their reaction to the advancing temperature indicates how my sculpture is reacting.
My box represents my kiln, surrounded by previously fired “cone-pats”. It is mounted on a porcelain doily that symbolizes the interaction between my life as an artist and my rich, full domestic life.
Tomiko Fraser Revealed
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
TOMIKO FRASER, MAYBELLINE SPOKESPERSON/ACTRESS
Tomiko Fraser has benefitted greatly in her life from mentoring and, in return, wishes to nurture and empower other women. An exuberant, playful woman, she has been able to find her way and break free of the confines of others’ expectations.
In appreciation of Faith Ringgold and her painted story quilt “Sunflower Quilting Bee of Arles” (1991) and the women depicted within.
Untitled
Alpha-Omega
My work shows our life’s journey from birth to death. These events are the bond that links all human beings. In between we encounter life’s challenges, both good and bad. The torso represents our beginning, the copper wire warrior figure shows our battle with life’s forces, and the lino block suggests our passage through time in the unknown. The jagged edges on the mirror glass show our testing times, where the smooth line of the circle represents life’s calmer waters. In traditional Celtic Art this holds the promise of eternity. For this reason I have included the circles and spiral symbols.
Vivarium for Snowflakes…
A Falcon or a Great Song
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
LEASA MAYERS, PRESIDENT, CRG EVENTS
In talking to Leasa Mayers about her life – her family, and her work promoting others in their ventures, the powerful Rainer Maria Rilke poem, “Growing Orbits” came to mind. It inspired me to transform the plain wooden box into a cradle holding a bird’s nest with eggs to honor Leasa’s endeavors; her creative spirit, her effective nurturing which helps others to take flight.
Threading Water
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
JANET LEAHY, EXECUTIVE PRODUCER OF “BOSTON LEGAL” TELEVISION SHOW
1 small wooden box
5 Peruvian worry dolls
1 drill
800 holes
1 can black spray paint
countless threads
1 very small crochet hook
one artist
one executive television producer
one collaboration
one phone call
many many emails
one new friendship
Threading Water honors women, mothers, daughters, friends, workers, wives who feel pulled in all directions while trying to stay afloat.
Yoriko
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
YORIKO KISHIMOTO, VICE MAYOR, CITY OF PALO ALTO and Jen Schachter, ARTIST.
A photo of Yoriko as a small child with her parents and older brother in Shizuoka, Japan flies from the branch of one of her favorite trees, the maple, signifying her love of gardens. The trail reflects her journey from Japan and her love of travel while the mountain symbolizes her love of hiking and mountains, and her desire to “climb to a high place and see as far as I can”— hence the binoculars.
The central image is her interest in the 4 elements — earth, air, fire and water. Earth is symbolized by a clay container I made (I am a potter) and the water by blue glass that was melted in the clay container.
There are so many aspects of Yoriko’s life that are not included, but through some mysterious mental process, I have focused on these ideas and presented them in this way.
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Copper Fish
A simple wooden chest, crudely decorated, is uncovered. What is inside? The lid is pried open to reveal the legendary Copper Fish floating in a sea of bubbles.
On the 25th of November 1922, the first stone was removed from the walls sealing the entrance to a pharaoh’s tomb in the Valley of the Kings, Egypt. Six years of painstaking archaeology work was rewarded by the discovery of wonderful and curious objects housed in an array of boxes. One can still imagine the thrill that the explorers felt.
The rediscovery of a forgotten or lost box never ceases to inspire curiosity and optimism.
Sea Chest
Femme
Coast US feminist artists, revisited by key artists of the 1990’s. Exploration of vulval imageries allows me to consider female desire, seduction and discipline, and the role-liquidity of queer sexual play.
The metaphorical cultural veil of a socially/culturally formed feminine is materialized in my use of empty but sexually encoded garments (the little black velvet dress. lingerie, leather, corsetry, gloves) to stand in for the female body. A self-consciously feminist erotic is proposed, carefully controlled through allusion to the actual body, through textual ‘cunning lingua’, through acknowledgment of the seductive territories of sado-masochism, fetishism, voyeurism and exhibitionism, and through awareness of the potentially mulitiplicitous desirous nature of the gaze.
Moving
New Beginnings
This is not a title of hope but one of irony. We all know that the lady who gets cut in half by the magician appears moments later gloriously grinning in one piece. The sword was real, the box solid, yet we are time and again puzzled by the discrepancy between what we see and what we know.
I have tried with this piece to convey that what we see and what we know is both illusion.
Although the Barbie-like woman, as a trickster, cheerfully saws herself in half, an extra pair of arms, pink and girlish appear like a last minute doubt to the saw. The last laugh and the first tear are closely connected.
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Heartease
This box is about joy and renewal. Everything begins and ends, lives and dies in circles. There is such power in each little thought, small gestures and tiny boxes. The heart is a sure image of love, feeling and strength. It has infinite capacity for both great joy and great sorrow, even after the ache and grief of loss:
The core remains intact.
Pink budded, protected
with swathes of leaf,
and occasional thorn.
Out Of My Head
Nancy’s Hope
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
NANCY SODERBERG, FORMER SENIOR FOREIGN POLICY ADVISOR TO CLINTON, FORMER US AMBASSADOR TO THE UNITED NATIONS
My impression of Nancy is a study in contrasts: powerful authority figure/pretty, blonde hair, soft features. Woman, wife, stepmother/facing the horror of war on a daily basis.
But a singular vision: the world can change, war can be contained.
So, we have a soft, hand-stitched pillow – symbol of domesticity, a womanly art. In the colors of the UN flag, the ultimate multilateral institution, and round, like the diplomatic Round Table. A locked, but fragile glass box, its contents a weapon of powerful but intimate destruction: an M67 Fragmentation hand grenade. And the key tucked safely away in a pocket of the UN pillow.
Gaia
I put earth into Pandora’s box, enclosing meaninglessness within. The box, decorated with various symbols and colors signify the contents. The edges and corners are softened.
The enclosure of earth becomes an oxymoron. A small portion inside stands for the universal. The box is a prayer to the larger form from which it was taken.
The pins refer to the sensitivity of a living body that will feel pain by being injured, but will also start to blossom. The GROUND/ SOIL/ EARTH as READY MADE, an allegory of GAIA (earth), the UNIVERSAL MOTHER AND LAST HOPE.
Crafty Contemporaries
This box symbolizes the entrapment of the domestic sphere. The witness of the box symbolizes the innocence and naiveté of women in the past. The sewing kit placed in the box makes reference to contemporary women artists of today who have used old skills from the domestic sphere and given them new life.
Laurie Dolan
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Laurie Dolan, DIRECTOR OF WASHINGTON STATE GOVERNOR’S EXECUTIVE POLICY OFFICER
Because Laurie had twice run and lost close State Senate races, my first impulse for this project was to create political art that is stark and confrontational in the style of outsider Bible-literalists — using red, black, white, block letters and simple but expressive figures.
Laurie is genuinely engaged in and faithful to the political process, seeing herself as glue, as a relationship builder. Laurie underwent a successful stem cell transplant in July 2003, and her illness and recovery impressed on her how little time we have to touch the world, and how important it is to touch our children. The text on the box runs together and reflects the impact of Laurie’s illness on her life, her desire to touch the world, and the importance of her family.
Energy of Thought, Word and Deed
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Rita Ryder, PRESIDENT OF STRATEGIC INITIATIVES, YWCA
Our sculpture represents the day-to-day work of the YWCA, providing hope and opportunity to women and families. Our ceramic hands represent our entire, diverse community joining together to help women and families overcome critical issues that undermine their lives: homelessness, poverty, domestic violence and unemployment.
Working together, we move women and families forward—breaking the cycle of poverty and hopelessness, and improving the quality of their lives.
Being
My box represents the three aspects of being. The lower section shows bones and clay through glass, representing the transient nature of the human body- physical being. On the box itself I drew my doodles and ancient Irish symbols representing the collective unconscious of mental being. Finally, the angel on top represents the spiritual being.
Woman in Bloom
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Deanna Oppenheimer, CHIEF EXECUTIVE OF RETAIL BANKING, BARCLAYS BANK
Wife
Mother
Mentor
Water-skier
Senior Appointed Chief Operating Officer Barclays Bank, United Kingdom
Chair of the Board of Trustees, University of Puget Sound
“Of all my accomplishments, what I am most proud of is my children, that they are growing up to be fine individuals.”
Carricka Lowley Castle
Where Granvail, Irish Sea Queen Resided 1530-1603.
The Last Child
My work is a continuous relation with movement and time. The spiral is a symbol of life and fertility: the permanence of being under its mobility.
What it Takes to Make Change: Sharifa Wilson and Transforming a City
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Sharifa Wilson, FORMER MAYOR OF EAST PALO ALTO; COLLEGE TRACK DIRECTOR and Daisy Juliana Eneix, ARTIST
When I first spoke with Sharifa, the former Mayor of East Palo Alto, I was struck by her absolute faith in her ability to make change. “I consider myself an optimist” citing her family as her primary inspiration. As Sharifa went on to discuss the strategies she has used to bring money, businesses, jobs and better education opportunities into East Palo Alto, it became clear that persistence was something she didn’t think twice about.
While considering what I could do for an artwork about Sharifa, I thought about what a formidable force she was. A picture came to mind of some unsuspecting guy delivering her the “Sorry lady, that’s the way it is” line and what she would do with that. This artwork is about the refusal to accept that answer and the possibilities it opens.
Family
One Thousand Years of Sewing into the Night
My grandmother’s sewing box, a gift from her mother, handed down to me by my mother, is my inspiration for Women beyond borders. I have made a tiny sarcophagus of pins, cotton and frayed red velvet – to symbolize thousands of droplets of blood from pin-pricked fingers – all embedded in the wax of candles burned into the night, lighting women’s often unappreciated work of skill, toil and pleasure.
Knitting Machine for a Woolen Cord
My work is full of allusions to the ‘female’ element, mythology and cordicraft. Wool thread is the main material in my ‘knitted sculptures.’ The box contains a small knitting machine and a small bobbin of wool thread. This is a traditional way of making a cord, and anyone can continue the process of knitting. It is like a trip, a memory, but the tip of the thread must remain in the box.
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Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Elizabeth Rice-Grossman, BUSINESSWOMAN AND PHILANTHROPIST, SUPPORTER TO THE CIRCLE OF CARE FOUNDATION and Catie O’Leary, ARTIST
Images used in these collages represent Elizabeth Rice-Grossman — her life, influences and concerns, benefitting those near her home in Ventura County.
Images are personal symbols meant to represent her life, such as:
San Francisco – map, horses
New York – stock market
Hawaii – orchids
Theater – Arts for Kids, Nutcracker
African American authors
Grossman Burn Center
Migrant farmer housing
Americare – senior care
Memory TV – Circle of Care
The past enables the present
Intimate Fragility
We are born into an intimate relationship of close bodily contact with our mothers. Touch is so basic, the mother of all senses that we tend to take it for granted. Without our noticing it, we have gradually become less and less tactile, more and more distant and physical untouchability has been accompanied by emotional remoteness.
The most tactile receptor on our body is the skin, and with force can be torn to shreds like our emotions. The symbol and carrier of life is the egg, characteristically feminine and fragile. The shell of an egg appears hard, tough skinned, breading through to the secondary layer its protective skin, we find it thin and fragile.
Material alone can define work, if perception is directed first to the material, the ideas in the work are often undervalued and the message becomes secondary to the medium. Hemming in the box in fabricated egg I have reinforced my ideals.
Bridge Between
I have been working with the image of the moon for the past two years, which on many levels has associations with women and the universal.
As my work is largely abstract, incorporating the specificity of the form and object of “the box” was a challenge. The association with Pandora’s box set my mind back to the beginning of humanity, the myth of creation, the fall of man, loss of innocence, knowledge, and in particular, how woman is perceived. I began wanting to turn the box into a bridge, using it as a metaphor for women’s ability to access a more open-oriented position (meaning). A bridge gives access between two lands, worlds, positions; over what seems impassable.
The material and color of the box dictated the other components of the work. (There is a fleshiness to cedar and clay.) The two ceramic circles which I used, connect the bridge, continuing and expanding the human sensation into abstraction. The work relates to lack and possibility, of balance.
My Little Box
It is just a box of surprises.
Jewels In My Crown
This collage was inspired by the fact that much of my working life has been spent with children. I also included my own children and other members of my family and friends who have been supportive of my efforts. It encapsulates lots of memories for me.
Keeping On Course
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Barbara Boxer, U.S. SENATOR FROM THE STATE OF CALIFORNIA and Barbara Leventhal-Stern
The first words I associate with Senator Barbara Boxer are passion and courage. In my mind, I saw an image of a boat that “keeps on course”.
Because the exhibition serves to inspire young women who could be faced with adversity or hard decisions, I inserted excerpts from our email dialogue so they could read about the sources of her commitment themselves.
Thanks to Senator Boxer, and Michael and Adrienne, her talented staff.
Genevieve’s Traveling Transformation Box
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Genevieve Smith, CHIEF MARKETING OFFICER, WASHINGTON MUTUAL BANK and Barbara Earl Thomas, ARTIST
I shut the door on that house where I’d lived for 30 years. I never looked back. I can live anywhere.
Maybe it wasn’t exactly like that but that’s what I think I heard her say. From the Amazon to the city, one thing remains, Genevieve is constant, solid and clear putting on and taking off whatever the season calls for, but inside she remains the spring of her own life force, Genevieve.
Gen’s selected quote:
“The aim of life is self-development. To realize one’s nature perfectly – that is what each of us is here for.” – Oscar Wilde
Pam’s Tear Box
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Pam Praeger, VICE PRESIDENT OF LEARNING, SPOKANE FALLS COMMUNITY COLLEGE
One of the first things that Pam said to me was, “I don’t know if anyone mentioned it to you but I lost my daughter in May and I’m still struggling with the loss.” She said it almost apologetically. As I got to know Pam it became clear that Tara, the lost daughter, set a high bar for her mother through the lessons she taught the whole family during her dying. I also learned that Pam and Tara are a lot alike. Even in pain Pam’s first impulse was to help me. I knew instinctively that it was also what Tara would have done. I am grateful to Pam and Tara for their generosity and honesty. During our time together Pam cried more than once and each time she seemed at a loss about what to do with her tears. So I’ve made a Magic box for those tears. Its capacity is endless.
Hommage a Bunuel (Belle de Jour)
Notions of Change
On receiving “the box” I had an overwhelming feeling, that the box somehow needed to be destroyed. But how?
The notion of destruction carries a negative taste in our society. However, the box, as symbol of the way we are forced to live and think, needed to be destroyed. How could I make the act of destruction a positive one? The answer lies in the notion of change. Change is the most constant force active in nature and our lives. The laws of change and transformation are natural laws, more important and fundamental to life on the planet than the laws of constancy and preservation.
To express this I did the following:
I decided to break the box into three parts: lid, main body, and head and foot piece.
The lid I buried in the ground to let it decompose.
The main body I burned until only the charred remains were left.
The head/foot piece I subjected to the physical force of a grater to break it into its smallest visible parts.
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Ballot Box
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A Sock and a Soap
In the pine box I placed a soap from the collection of ‘Human Body Smell’ soaps. Over the box and the soap in it I pulled the inside out turned sock with some feathers sewed on it. Both things I got in my studio where at the same time I work as a woman and live as a bird.
Legends of Tundra
El Corazon
Bird of the Forest
The Key to Happiness
Teenager Box
She had the box not at age fourteen, but much later. But somehow she scribbled over the wood — just like a teenager.
Honeymoon
Binoculars
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Memory
Pandora a Broken Myth
In doing this box I decided to see what the original myth of Pandora was. I was struck with the beauty and the imagery of Hesiod. I laughed at the obvious fear and envy that men have had at the creative female. I felt we could look at this myth and break it open and show women in all her creative force without fear or envy.
“as a favor to Zeus the father,
On this had been done much intricate work,
a wonder to look at:
wild animals, such as the mainland
and the sea also produce
in numbers, and he put many on,
the imitations of living
things that have voices, wonderful,
and it flashed in its beauty.
But when, to replace good,
he made this beautiful evil
thing, he led her out
where the rest of the gods and mortals
were, in the pride and glory
that the gray-eyed daughter of a great
father had given; wonder seized both immortals and mortals
as they gazed on this sheer deception.”
Hesiod translated by Richmond Lattimore
Love
Teen Box. Culver City Highschool. Grade 11.
My box was based on the book of I Corinthians 13 in the Bible. Love is not something that is jealous, boastful, and impatient. I used the last verse:
“And now these three remain: faith, hope, and love.” But the greatest of these is love. The box represents love itself, with in it are the mustard seeds which represent faith because God said “if you have faith as small as a mustard seed, you could move mountains.” The stars represent hope. The leaves in front of the box symbolize the growth of love, that it never stops getting better.
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Gold Rain Leaves It’s Traces
Crib
I tried to show, through my box, that my faith and beliefs have been a nurturing comfort. The figure in my box represents me. The same way it treasures the purple cross, I treasure my beliefs and culture.
Fabricated Fame
Today’s celebrities seem to all be coming out of some celebrity machine. Behind the glitz and glam, the expensive cars and fancy clothes, are producers and stylists that give celebrities their identities. They all strive for the ideal image but in the process they become copies of each other. I made my box into a gaudy, sparkly representation of fame. I’ve carved in idealistic image of a figure into the lid of the box and created prints from it. The prints show how celebrities are simply produced copies that are made to be this ideal.
Representation of a Population
Culver City Highschool. Age 12.
My box is a representation of my population, African Americans. Throughout history, my people always had something to represent. From the motherland to this present day we have represented life, struggle, triumph, and perseverance. But as we begin a new generation, what do we have to represent now? What do we have to show our future, besides being a statistic?
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How To
I collect “how to” illustrations, the drawings that come on packages that show you how to use the product. For this box, I made three scrolls with my copies of those illustrations. I used instructional drawings from health books, dental floss, box cutters, screwdrivers,chopsticks and Hi-8 tapes. They are packed tightly inside the box, a representation of the jumble of rules.
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Aura
A Mother’s Treasure
A Mother’s Treasure was created to depict an experience that women share in common– the love and nurturing of our children. The symbol that came to my mind was baby teeth. Every child in every culture sheds its first teeth, and everywhere mothers soothe and celebrate this rite of passage from babyhood to childhood. Just as my two sons grew up and moved into their own adult lives, I give up my treasure – their saved baby teeth – to make a rattle to distract and amuse other babies in other places. Loving greetings to all the mothers and their young.
Marriage
USA / UK Artist.
In Half
The bag is packed
A wonderful trip
A million miles
Back and forth
I am English
I am American?
I am in half
Never completely at home
A heart, a soul, a life
Chosen and divided
USA / UK Artist.
Midnight Odyssey
Tadpoles
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Games
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Culver City High School. Grade 11.
My box represents impermanence and fragility, what was once a solid object is now only dust. The silhouette connects this metaphor with human life in that the picture is so fragile that it will scatter with the slightest wind, it is not expected to last forever.
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Mosaic
This box represents the beautiful mosaic of children in the United States. The girl holding the flag is my niece who was recently adopted from an orphanage in China and became a U.S. citizen.
Outside the Box
To know who I am is the quest.
To learn lessons is the school of life
To see emotion as the road least traveled.
To find the path past mind is the road to the soul.
To see life as a continuously unfolding process
To live life to the fullest is to live in the present.
To open to humaness is to see life’s treasures
To live in the present is going outside of the box.
From: If Life is a Game, these are the Rules
The Rules for Being Human
Dr. Chérie Carter-Scott
Fire Box
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“Until a strong line of love confirmation and example stretches from mother to daughter, from woman to woman across the generations, women will still be wandering in the wilderness.”
Adrienne Rich
Compassion on the Edge
Dedans-Dehors
Welcome to La La Land
Culver City Highschool. Grade 11.
My box represents my life and being a high school student in a modern world, which is all crazy. I titled this piece Welcome To La La Land because my nickname is Lala and I wanted to show a glimpse of my life. Well, what I wanted to say about myself was that, I am a quiet person but inside I am crazy, confused and talkative, but I keep it locked inside most of the time. Inside, I put little things that represent me and keys, which is the thing that will open the box (myself). I see finding the keys is like finding you, the key that will open you to the world. I have little things that can’t remain in the box like my creativity, self-expression and friendship. I feel that most people are like me and until you find yourself, you can’t find the key that will help you open up and allow you to be more yourself.
The monarch trapped in their expectations, reducing the imperial ruler into a mere puppet controlled by golden strings.
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Transit Gate
Without Borders
Eternities
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Reverberation: Yuri Kochiyama
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Yuri Kochiyama, LEGENDARY CIVIL RIGHTS ACTIVIST; CLOSE FRIEND AND ASSOCIATE OF MALCOM X and June Sekiguchi, ARTIST.
I want to represent the effect pivotal events had on Yuri Kochiyama and how her life and work had a ripple effect in turn. Something breaks the surface of awareness and affects a resounding change. The box is the foundation supporting barbed wire which acts not only as the internal framework of concentric ripples reverberating beyond the source, but references important aspects of Yuri’s life: internment and political prisoners.
The box holds a gathering of pebbles that signify the catalyst of change. The ripples are inscribed with quotes, influences, and documentation of her life. I’ve chosen to use text heavily in this piece because the written word has held a place of importance in Yuri’s connection to the world. Light and shadow reflect the intangible far reaching affect she has had.
The Women’s World
Mother Earth
Deep within her there is life.
She is encircled by the web of life.
It is no mistake that earth is a “she”
for all that grows does so because of her.
We are the children of this mother.
We are all connected to the earth and one another
through this mystical experience we call life.
Disappointment
Gift
Washed Up
Culver City High School. Grade 12.
Through the open seas
Now I am being driven
By an old rusty ship
The winds beat down on the deck
And the sails are always slipping in my hands
To the places I want to go
And there where I shouldn’t go,
But the ocean has chosen the way.
The Fish
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Angels
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Para Olvidante a Ti
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The Rat in the Hat, a Porcupine in a Tie, the Nude, and a Pierced Ear
Tahiti in a Box
El Mundo de Maria Sabina
Life Cycle
The leaves will dry up and grow old
The child will grow blood
The aging of the leaves represents the worry women have about growing old, but they are beautiful and they remain beautiful as they change.
Blood is also thought of as negative, but it is within us all- man, too. We have it to remind us of children every month. The hope in the future, despite change, children are precious jewels.
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House Animals (1986-96)
A box with eleven animals in cellophane envelopes, on each of which its name is written.
Fly (Agnes)
Moth (Monika)
Butterfly (Ilona)
Butterfly (Gertrud)
Fly (Karen)
Bee (Lisa)
Moth (Edith)
Bluebottle Fly (Karl)
Cutter (Isolde)
Spider (Martha)
Beetle (Helmut)
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Journey #17
This box, a part of the Journey Series, combines elements as diverse as Egyptian funeral boats, Vietnamese river craft and streamline airplanes. Each piece explores the religious and spiritual significance of journeys through the symbol of the vessel. After my own experience of fleeing Vietnam in 1975, the vessel represents memories of hardship and hope.
Cosmogonia
Radical Profiling
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Joan Takayama-Ogawa (artist) and Elaine Tajima (CEO, founder at Tajima Creative)
We live in times of war, where racial profiling threatens the freedom of Arab Americans. By transforming this wooden box into a shrine representing my family’s internment in Japanese American relocation camps, I hope that racial profiling will not happen again.
Symbols of the highest decorated American 442 Regimental Combat Unit, the luggage tags with family numbers for the Takayama and Ogawas, rotate around the box symbolically, tied with barbed wire. Along the perimeter of the black tray, a plant revered by Japanese Americans, connects with barbed wire symbolizing their incarceration. A gold crane perched on a post, represents the Hiroshima bomb.
Thirty-seven last names along the edge of the tray represent hundreds of my family members who were incarcerated during World War II, remembering freedom is fragile, and racial profiling is intolerable.
A Piece of Eternity
Look at the Mirror
Burial of an Artist
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Vietnam’s Mother
In Memory of My Father
This box turned out to be about the death of my father (1925-1986). In thinking about the exhibition and before I actually had the box in my hands I thought of “hope chests” and “Pandora’s box,” both representing women’s issues and lives. But behind these thoughts was always the image of coffins and bone boxes (the boxes that the bones of the dead in Greece are transferred into after their initial burial).
After receiving the box and playing around with it for awhile, I had to go with the more direct, personal association of my father’s death. So it became a shrine, a memento mori, a symbolic object. The words on top are FUTURE, PLACE, GOOD MAN, LIES. The words inside of the half-open box are HERA, MOTHER, THERAPY, FATHER, DREAM, STRANGER. We will all go to this future place. Here, a good man, lies. Hera, Greek goddess, wife of Zeus, mother/father/therapy, dream, father stranger.
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Dreams of Dancing
Idee Levitan, an artist and patron of the arts, world traveler, lifelong philosophy student, adventure seeker, mountain climber, wife, friend, and proud member of a most independent sisterhood of polio survivors, died before she had the opportunity to work on the Women Beyond Borders project. The virgin box was among the mementos Idee’s husband sent to me. My dearest soulmate, Elena Mary Siff, invited me to create a tribute to Idee’s spirit so that Idee might be a part of an intriguing and profound exhibition she would have heartily embraced. The Wheel Chair could not contain her Dreams of Dancing…
Opportunity Gap
This box purports to show the great disparity of living standards in the United States and the enormous differences in the haves and the have-nots.
In the 1970’s I photographed migrant workers in central Florida. The situation there was not too different from the photographs taken by the Farm Security Administration in the Thirties and the situation is the same today. In one camp far from civilization the workers lived in converted buses with 1 toilet and shower facility for over 70 people. The children did not attend schools as they were too far away. When the government finally closed the camp, they simply moved further into the outback.
Whole families worked the groves, including young children, but that was the only way the families could earn enough for the day.
Contrast this with the luxurious life styles of some today. There is a widening gap between the rich and the poor. As technology dominates the employment field, those with little education are doomed to low paying or no jobs at all. Our society is becoming more stratified economically.
Shoe Box
Shoes are also an important artistic expression for me. You see, as a walker, shoes are to me what cars are for others. They transport us from where we are to where we want to be.
The first box in my Women beyond borders series, represented women as guardians of the treasure within. “The Guardians R Us” 1996.
Now, the third box in my series releases part of its contents. The missing shoe mate and box top travel to Europe, entitled “Left Shoe Looking For Right” 1999.
The Guardians R Us
The One Dollar Bill, rather than any other currency, is to me an art form.
Green and White = the colors of peace.
Gold = the heart of women everywhere.
And a symbol for stability and universality.
Additional boxes by same artist
Red Box of Hope
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
CRISTINA CORLA, SURVIVOR CONTESTANT AND POLICE OFFICER and ANN GENZON, ARTIST
Red Box of Hope represents survival, endurance, determination, perseverance, and the promise of hope through one’s life.
Life is charged with challenging situations and wonderful moments as well. Life is a journey, life is a gift.
It is within every human being that travels to the roads of life, to develop the ability to close certain doors forever and to open the newfound doors of hope, faith and wisdom.
It is within every woman to find the courage necessary to overcome complex, dangerous and sometimes confusing messages unveiled in the act of opening these doors. It is within every woman to find the strength to lock forever these doors, and find the right door that leads to THE RED BOX OF HOPE.
Song Heartfelt
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Nita Song, PRESIDENT/COO OF IW GROUP, ASIAN AMERICAN ADVERTISING AGENCY and Ann Enkoji, ARTIST
The starting point of this sculpture began when I asked Nita about pivotal moments in her life and she began to share the stories that created the themes for the box:
— moving with her family to the US to live in Alabama with her aunt
— pinching a young playmate until he broke her nose with a brick
— taking that injury and wearing it as an emblem of her character
— delivering her first child, weighing in at 10 pounds
— her two children’s artwork
— deepening her family and community relationships, especially with her mother
— and her love of the soil
Clay became the natural connection between my art and Nita’s life when she said: “… soil represents who I am. Soil is fertile, nutrient rich and stimulates growth.”
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Fate
FATE — Pine cones in a pine box, enough said.
Bravo! Pandora
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Sad People
Emerge: Each Holy Remain
This book/box was produced for the 1999 leg of the Women Beyond Borders show. Its surfaces covered with gesso (support for intricate graphite drawings) and gold leaf, includes a reliquary indicating potential life, death, and emergence into light. The 52-page book pictures detritus from daily living, preserved by attentive drawing and watercolor: seeds, bones, plant tips, shells, buds, nuts, skeletons.
I know that there are lives much tougher than my own, and that I am enormously privileged to luxuriate in the poignant beauty of the commonplace. I hope that we all sometimes have the opportunity to pause and consider, even in the helpless despair of suffering and the frustrating reality of working so hard so often for our own survival; physical, spiritual, intellectual and emotional, and that of our loved ones, as well as all sentient beings.
Dragon Box
Using the box as a metaphor for prescribed limitations in one’s life, this box is not a place of confinement. The edges have softened and fallen open, allowing the light to radiate from a life force of an egg. From the light comes new freedom and love. The inside of the box reflects the light so that the power is magnified, thus illuminating the path towards release.

Balkan Dance
This traditional Balkan folk dance slipper carries a box holding the grief and terror of deportation and internment as well as hope for endurance and the end of all exiles- physical, political, cultural and spiritual.
A Cricket
I used to think, in my childhood, if the wonder and beauty of flowers I see is the same as the one my playmate sees. Though I regard their color as ‘yellow’ and so does she, can our ‘yellow’ be the same?
When you see an object, you see not only it itself, but also some experience and memory which you picture to yourself by seeing it. If the brightness you see is different from one I see, and if so, are the views, the climate and the smells you have seen and sensed also different? This work of mine you’re looking at may be different from the way I see it.
But such a difference can make our lives more complicated and richer and reveal who we are.
If We Take the Thorns Out…
Occupational Material for…
Shoes
“Walk a mile in my shoes”
and vice versa.
To understand someone else,
put yourself in their shoes.
Too often, women force their
feet into shoes
too small, too pointy, too high-heeled
and then stumble along
the unmarked roads ahead.
Life is a journey,
be prepared to wear
sensible shoes.
Circle of Life
Age 9
The Diary
Kiss
Pandora’s Box
Where do my thoughts and language come from?
Do they arise out of a chaotic flux of sensations and mental images? Are there some rules or a deep structure underlying this apparent chaos? Is the Right Brain, more intuitive part, more closely related to the unconscious (if there is such a thing) than the Left, logical, verbal part of the brain? My painting suggests these questions to me. I wonder how the part of me that knows is related to the part of me that doesn’t know what it knows.
In making this box for Women Beyond Borders I am reminded of that wonderfully curious woman, Pandora, who for centuries has been, to my way of thinking, erroneously blamed for all evils on earth. I discovered there’s another version of the story, and it goes like this:
The box which she opened contained everything that was good, and when, (against her husband’s advice) she raised the lid, ALL THAT WAS GOOD escaped out into the world. I like this story and think it’s a fine metaphor for the creative, open-minded nature of womankind.
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I treated the box as an objet trouve, a modest thing with some forgotten purpose in its past. Upon being discovered, it brings to mind associations, and memories which unfold and spread out when the box is opened. Part object, part landscape, the image within the box does not recall a specific locus; rather, it reminds us of things that we know are memories. But these are stored in such distant lands that they cannot be conjured, they can only be gazed over.
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The critical point that reflects
and fuses inanimate sensitivity
with nature’s understanding.
The differentiated shadow of dreams.
The resonation of conception.
The shearing of thought.
Spiritual Evolution.
Inspirations more archaeological than literary.
Galactica
Surely Goodness…
This box has many references. One is biblical. “My cup runneth over” directly precedes my title from the 23rd Psalm, a thought that came to mind as I made it. It is also something like Pandora’s Box.
The surely goodness part is the outcome of both references that I mean and want for women. It is who we are and how we create and effect culture. This box stands over and beyond patriarchy.
It is also part of an ongoing project of mine to recycle into art all the many art materials I have been carrying with me for nearly 35 years with the fantasy: Someday I will make some crayon drawings again, or use this glitter in a piece! Now I am doing it as pure art materials, recycling as all things do back into life.
El Voto
This is a memorial to all in my country, Guatemala, who have never received a proper burial, and were not only insanely murdered by the army of their own country, but then piled up in clandestine cemeteries, so that their loved ones could never come and be with them.
And the epitaph (THE WISH) reads as follows:
Oh! Please give us a tomb!
a tomb for our souls,
for our poor bodies,
so sore
and tough
from that volcanic lime!
We plead you,
we implore you, dear God, dear people,
dear brothers,
little brothers and little sisters,
give us a tomb,
a safe tomb,
with a shroud made of sweetness,
a place to console us,
a nice place,
to erase the infamy,
a beautiful tomb,
for us!
In the Garden
Caged
Intersection
Possibilities
Hommmmm
Core
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Age 8
Rattle
Age 5
Perspectives
What we see depends upon where we stand as well as what we bring with us in our hearts and minds. What we see reflects us.
Bearing One Another’s Burdens
As I contemplated my involvement in this project I was immediately drawn to the reverent simplicity of the tiny redwood box. As I held the box and pondered its humble strength and quiet stability I was instantly reminded of the strength, perseverance and poise-under-pressure that often signifies women in general. This strength of endurance caused me to then think of the many burdens we all carry around with us, and how much lighter the burden can be when we know someone is helping to carry the load. The Bible reminds us to share in each other’s trials. By helping to bear the load brought on by death, illness, heartbreak, loneliness or other oppressions, we offer comfort and hope.
In creating this visual testimony I attached the lid to the box and produced a stable and strong vessel. The vessel houses the strength, perseverance and love that together can lift, carry and support the great weight of the burden that is placed upon it. The burden, a complex aggregate rock, is both rugged and smooth in its makeup. Beneath the rock is a cushion, a sheet of gold, intended to soften the burden. The rock is bound to the box with a tightly wrapped and intertwined cord. The cord is the weakest element. It can be cut, and at any time the burden can be lifted. The cord reminds us of our obligation.
It is my intent that this box stand as a reminder to all of us to humbly bear one another’s burdens, to encourage and strengthen one another, to love, honor and pray for one another. By helping to bear the burdens, we find joy in knowing that we have contributed to the needs of others. By bearing one another’s burdens there are blessings to be found in the midst of tribulation; there are victories to be found in hidden places.
Pure Love
The love that a man
feels for a woman
and a woman’s love
for a man
is the true longing
that in all hearts
yearns for union with God.
Bed
Untitled
Age 5
Did you want to Come In?
This piece explores the dialogic relationship in question and response. The speaker of the question, did you want to come in? –which is computer printed text repeated- this speaker is absent in image but present because of the text. The viewer is alone with the question and asked to respond but in a monologic way. The dichotomy between one way communicating and communication, an interactive experience, is brought out in the piece through its own dichotomy – the answer is not provided for the viewer.
Yes, I am Still Alive
I worked on this box right after my dad had open heart surgery and so I felt like I had no thick skin protecting my love.
Everything’s Coming Up Roses
What the Women Gave Me
The making of this second box afforded me the opportunity to reflect on and celebrate the many wonderful and precious things given to me by women; artists friends colleagues, and strangers whom I will never meet, who share like souls…
To the Ngarrindjeri* Woman who taught me how to weave, and gave me a part of her culture…
To the Women who nurtured and encouraged my talents and refused to let me give up…
To the communities of Women who have taken part in Women Beyond Borders…
Thank you.
* Ngarrindjeri (pronounced narr-ind-jerri), people are indigenous Australians, originally from South Australia. These people traditionally wove to make traps and baskets in which to gather, store and carry their food and bury their dead. Today few Ngarrindjeri know how to weave.
The Women's Voices: Diana Robson from WOMEN BEYOND BORDERS on Vimeo.
The Silver Platter
A Broadway Director Dreams
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It’s the Little Things…
This box is a design to remind me of the happy things that are a part of my life most every day. The things inside are necessary material things that keep us together… in more ways than one.
Beyond the Box
Missing Piece
To me, a basic unchanging form is the most beautiful, no matter what period of art you are examining. For any material or event there exists a basic framework. Within this basic frame, there exists a core which comes through the work of art above all else.
I use many materials, but I especially like to use materials with soul in them. I then strive to create a work in which the essence of the materials shows through. I would like to create artwork with a central form of happiness, pain, or sadness.
Muestrario de un Corazon Roto
Peace Offering
Peace Offering is about seeing the angelic possibilities in our existence on the Earth, despite all adversity. It is so easy to forget that goodness is as real as horror when we are in the midst of difficulties. I hope that my offering to the Women Beyond Borders project will serve as a beacon to remind us of the beauty and light that is always within our reach.
Lost Butterflies
Where have all the mothers gone?
Off like butterflies in the wind.
All to great deeds of glory
Then on to new beginnings again.
The chrysalis of life is a never ending bond
Until the end of time.
Where have all the mothers gone?
Lost the most precious gift, a child of mine.
Keep This Coupon 023089
Nefertiti
I Throw the Stone
What I did for love
Box
Fortune Telling
Throne for a Smart Princess
the box is turned around
the helplessness of a woman is turned around.
a throne is created
creativity and self-confidence are experienced and rewarded.
Following the idea of Grimm’s fairy tale, the princess had only one chance to get her golden ball from the depth of the well: she had to promise to share her whole life with the helper, a frog. As a smart woman she does not want to accept this type of dependence and help and so she finds a new solution to solve the problem.
Outside In
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
KATE MCISAAC ,1ST LIEUTENANT, U.S. ARMY and Laura Klein, ARTIST
Kate McIsaac just celebrated her 30th birthday in Baqubah, Iraq. She is a 1st Lieutenant in the Army, serving in OIF IV – V at FOB Warhorse as a postal officer. Her unit is from Long Beach, California.
She is also a first-year law student at Whittier Law School in Costa Mesa and will either go into criminal law or First Amendment Libel law. Libel law is near and dear to her heart.
Kate also has a degree in Journalism and worked as a journalist for several years.
Sea Dream
When I set out to create something I try to draw in the season and the place I find myself.
Spring, Summer, Fall, Winter – I like things that evoke the seasons. I have packed a little box with memories – marine blue skies, turquoise seas, white corals, green jungles, so that the fragrance of summer can tickle your nostrils too!
Celebrate the Meeting of Life…
I am attracted to the fine color of the dawn, sunbeams flickering through the leaves, broad colorful sunsets, stars shining in the sky…the mysterious harmony of all these things, so this is what I try to make.
I love both light and darkness, and wish to celebrate the splendid harmony of their meeting. I hope opening this ‘box’ will lead you to see the harmony of light and darkness… and the meeting of you and me, or anyone.
Unforseen Box
In God We Trust…
Nello Spazio e Nel Tempo
“In Space and Time”
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Fancy
Nature is far more fanciful than me.
The Distance from Time #1
Cup Cakes
Red Prayer
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There is a longish black stone in the small box.
Skin Deep
Spilling out of a Pandora’s box, previously concealed truths reveal themselves. A hand, a living experience and the intuition it contains, is full of signification. This can be translated in a multiplicity of paradoxical ways.
Beauty is a socioeconomic and political construction. How we depict women in art opens up a dialogue and an opportunity to affect our inter-relationships. We are not alone in deriving pleasure from the spectacle. Manet’s Olympia, and the official ideology she implies, returns our gaze.
Biological Baby Buggy
With my work I explore the theme of a woman’s fertility. Fertility is a complex issue and fertility is not always a G-d given right. Age and circumstances can exert enormous pressure on women to define themselves, to reach important decisions at what could be an inopportune time.
To embrace motherhood or to reject motherhood, or to gain motherhood through extreme and unusual means: are all fraught with their own assumptions and characterizations, either internally innate or imposed by external forces.
The tendency to define a woman by her ability to bear children is limiting and demeaning. A woman must be defined by her ability to live a positive and meaningful life.
My quest is to honor all women who engage in creation whatever form it might take and encourage women to feel comfort and acceptance on many paths.
Voice Box
Voice Box is a reminder of the fertile, nurturing potential of women’s words and the pain that women endure in trying to speak those messages. It contains powdered milk and an egg licked by tongues of flame and so marked with soot.
materials: wood, powdered milk, soot, paint, paper.
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Salzkiste
Boxes for salt
Boxes of women are filled with
Desire and wishes
Therefore mine is filled with salt
The Private Cosmic Library
The “Private-Cosmic Library” probes three possibilities for encoding conscious and public databases along a time axis.
The disk is made of painted cast aluminum, actualizing modern types of codes, encoding information on computerized disks, accumulating familiar signs from the language of electronics within and metaphysical signs in personal-code rhythm language.
The libraries appearing in the brown photographs characterize hundreds of years of book printing, a whole web of cultures and memories open to intimate browsing and learning from generation to generation. The “Private-Cosmic Library” is expressed by the simple fact that these are photographs of the libraries in my home with a portrait assimilated therein and many books in the field of art and metaphysics.
The sculpture-object itself opens as a book closet and alternatively, appears to be a small shrine by virtue of the crystal pyramid and three quartz columns.
In mineral terminology, these types of crystals are used for energy acceleration. According to mythology in the culture of pre-historic Atlantis, all information encoding was carried out energetically upon crystals. In light of the reawakening of the effectiveness of natural crystals, advanced technological achievements are brought closer to the furthest past.
In the cloak of time, past, present and future take place upon a circular axis, and the internal memory is the collective memory. With the hope that despite the physical miniature dimension of the work, the work will expand itself towards the open space.
L’Occhio
1 Box for 1 Woman

Slick Chick – A Balancing Act
Age takes slick and chick
But eggs so perfect go on
And on
To feed the fragile Universe
And return and recharge and provide
Time and time anew
The best nests everywhere.
Beyond borders
Or difference we nurture
And yet strut our stuff.
No dumb clucks- we chicks!
You know…we have something worth crowing about…
Truth Is One
Revelation
“To laugh often
and much, to win
the respect of
intelligent people
and the affection
of children, to earn
the appreciation
of honest critics
and endure the
betrayal of false
friends, to
appreciate beauty,
to find the best
in others,
to leave the world
a bit better, whether
by a healthy child,
a garden patch…
to know even one
life has breathed
easier because
you have lived.
This is to have
succeeded!”
-Emerson
Num-Num
There is the inside, the outside and all around, there is life, there is death and other lives, there is oneself, none and all the others, there is light, dark and dusk, there is laughter, there is brightness, transparency and it can be opaque.
There is but, maybe and also, a little, nothing, and all the colors, all the fantasies, all the eyes, all the souls, all the sounds, all the noises…
…there is everything in and under every form.
One Needs to Have Sharp Point…
The Ashes of the Occident
Beyond Borders
The box is shelter but not containment. It encloses and opens out. It is both inside and outside, both in and from the world. Retaining the box, I have upended and extended it by replicating its components.
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From its first moment, the shape of the small box permitted several associations and possibilities, but the point was not to alter the object per se but to have it remain in its artificiality, a box-like structure with a cover, closed with a rubber band, which was handed to me. Intuitively, I decided to confront this object with pictorial presentations that I had selected. In this process I begin by thinking of some imaginary associations.
This lead directly to a comparison of three objects, one after another. (Where does the wooden object “belong,” what can it be, or mean?) The pictures I have chosen in the frames are to be understood as an “offer,” which relates the different levels of representation to one another. Thus, a space is produced in which things can be observed in terms of conception and content or else in terms of space and form.
The inside of the “box” projects itself visually upon the pictures as they are seen. The concrete object serves as a “medium” of the continual transformation between things and pictures. Understood in this way, the wooden object can be regarded, abstractly, as a picture, just as a picture can be understood as an object. The positioning of the two picture frames with the wooden box creates as a whole a model of one’s own perception or of the possibilities of perception, and the relational positioning or the relational viewing of things.
Bon Appetit
Living Room Violence
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Psalms to Ellul
My work comes from a very far and deep past including the meaning of personal memories and a hard political situation which is part of me. I try to express my existence, tough and sensitive sensations, by different elements used in this work.
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Al Cuore del Cuor
My connection and admiration for my fellow women grow ever stronger as I grow older. This was to have been the theme of my box.
My father died in my arms a short while ago, calling “Mama.” How varied, how interchangeable, how understanding of the incomprehensible we must be. How I strive to trust my instinct that taps deep, deep, deep into the strength, the capacity, the tenacity of a woman.
My box is for my father, whom I miss with all my hearts. He was a painter, he taught me to see.
Zen Box
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Welcome to the Forest of Dreams
I have built a place of healing and repose.
Though small enough to fit in your hand,
it is a place to soothe and comfort the weary sojourner.
May you enter and find your peace.
Enter the forest, its cool green breath,
its embracing boughs, its mystery.
Enter the shadows your spirit longs for,
follow the labyrinth.
Enter the heart of the ancient forest,
wander until the dusk surrounds you.
until you find you have come to a place of rest.
Dream until you have found contentment.
Dream until you have found your own way
home, into the light.
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Gato Kaca’s House
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Souvenir From Hawaii
I have covered the surface of this box with pieces of plastic found on a beach in Hawaii in 1993.
On one hand, I saw all this plastic as evidence of the persistence of this detritus of capitalism’s endless appetite for more THINGS; on the other, I was struck by the weathering of these ambiguous fragments as they begin to resemble organic flotsam and jetsam.
The categorizing of things washed up like this becomes more difficult and the beach becomes a shifting archeological site of displaced artifacts (or garbage) driven by the tides. Presumably, eventually these things break down into a kind of synthetic sand.
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The Key and the Walnut
Today the box arrived in the morning. What will I put in? Hopefully everything, or even better: The best. Before I start working I’ll make an extra walk through the garden, maybe I’ll be able to think of a more concise way of what I want to do because ‘the best’ is a kind of program, a wish, not an image. In any case, I’ll take the box with me, just like the little key for the upper garden. This garden begins behind the very romantic door that we once discovered hidden under a thick layer of ivy. Then we also discovered cannonballs made out of stone, old fashioned roses, wild orchids and rare lilies. All of which we probably owe to the nuns who had owned this garden. There also is an old, old walnut tree. I think of the history of the garden first owned by knights and later by the nuns. Since when do gardens exist in general? Looking at this carefully it seems that the history of gardens is very old as the history of mankind. Opening the door, I am thinking of PARADISE, but my small, ordinary key brings me back into reality. It cannot be compared to the masterpieces that we usually see on old pictures in the hands of St. Peter. I feel a little sorry looking down at my machine-made product. But, on the other hand, it is important to know what a key can do, not what it looks like.
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Solidaridad!
My Treasure
The Power of Life
The difference between death and life…the immortal still rise from the grave and represent a strong life which is seen everywhere. The freshness of the flowers differs from the quietness of the gray burnt tombstone, the dry and stained pieces of iron and even the spike tunnel where death is always near by.
Flowers still live and rise above all.
Our House, Our Home
I am sure that you would be attracted by the beautiful landscape of the Vietnamese countryside. The lush, expansive fields spread wide and the rivers flow gently into the silent sunset.
There is one thing that is so much a part of our lives…the thatch-roofed cottage. No matter where we live, we conjure up images of our cottages when we get homesick. They are remnants left behind by our ancestors from a long time ago. They are features of natural beauty of the Vietnamese countryside. Do you know that although they are made of simple, natural materials such as different types of bamboo and palm leaves, they have covered us during rainy and sunny seasons. Some of the houses are built on stilts to protect us against floods and the attack of the wild animals in the night.
Seeing is believing, so we hope that you will come to my country, if only once to see the cottages. You will love them as we do.
Keep Pacific Nuclear Free
The Flow of Time
Unknown Thing
Jewels of Fiji
Amoulette…
Pandora’s Box
The subject of this work, Pandora, like Eve, Lillith, Medusa, had her meaning and function inverted during the establishment of the patriarchal gods. Originally a persona of the earth goddess who rose from the earth with outstretched arms bringing life sustaining gifts of fruit and plants, she was rewritten, and like Eve became the source of misery and punishment for the human race.
Lettner – Letter – Brief
Fe-mail box
Place Hotel
Awareness goes back and forth between the reception of the piece of fake chocolate and the reception of the model of a seemingly dislocated house.
Question: Would you possibly, lost in thought, make little balls out of the wrapping paper of the chocolate that you have just eaten and/or ever tried to penetrate the deeper meaning of the many ways of reoccurring walls?
Coffer Nephesh
The box, covered with lead, contains the soil of Israel. The phrase coffer nephesh in Hebrew, refers to ransom. Literally the word coffer means ransom and the word nephesh means soul.
COFFER: Like all objects whose essential quality is that of containing, it sometimes acquires the symbolic character of a heart, the brain or the maternal womb. The heart, the first of these meanings, is a figure characteristic of the symbolism of Romanesque art.
In a broader sense, receptacles which can be closed up have, from the earliest times, represented all things that may hold secrets, such as the Ark of the Covenant of the Hebrews, or Pandora’s box.
(J. E. Cirlot, A Dictionary of Symbols, New York)
We Are Women
The same feminine figure reproduced several times gives different connotations upon being cut, sewn, or separated. All the figures are prints and the collection is attached to the box by a layer of paraffin.
Pusa
My Favourite Things
My most recent work has been installation-based amalgamations of photographic images and text, the result of which is a cross-over into an almost cinematic form and aesthetic. My practice has shifted from an analytical approach to the concepts outlined above to a more personal exploration of them. My use of image and text alters the codes which are usually brought to bear in ‘readings’ of these mediums. Each form is pushed aside in favor of the other, forcing them to jostle each other for primacy. The text is always my own writing, which consists of nightmarish vignettes (real and imagined), frequently including references to some popular cultural homily, in order to insert some humor/irony, and to suggest that there are certain pleasures to be obtained from the so-called negative aspects of culture/existence.
I decided to base my box on work I am currently exhibiting in a group show titled Fear Incorporated. I have closed and enclosed my box to suggest the mystery of that which is hidden (psychological/cultural, whatever). I then re- inscribed the surface of the box (or the cube it has become) in two layers. The first layer – photographic flowers, dissimulating nature – seduces, as only images of natural beauty can, yet forms a surface which shuts off investigation. The next layer – the text touches on the mysteries of the subconscious. The box spins around on its chain to laugh at the simplification of these complexities inherent in such ideas produced within popular culture (albeit a somewhat nostalgic, dated form of it) as “I simply remember my favorite things.” At the same time it suggests the potential for a kind of pleasure to be found in that which is relegated to the negative.
Caja Llena de Pajaros
Here It Is
The Past Never Returns
No Way! Burn It!
Gebundelt – Bundled – Focused
To Know People Outside
If I shut the lid tight, can anyone know for sure what it is in the box? The outside of the box is decorated attractively as a person intentionally embellishes their appearance to conceal their inner life. The ancient Vietnamese had a saying, “It is easy to know a man from his appearance, but difficult to recognize his thinking.”
Con Licencia
Ear Sees, Eye Hears
This box, created by Magdalena Pederin, is actually the second box to bear its name. The original box was an interactive work that reacted to voices and other sounds around it with green and red LED diodes. The original box was unfortunately stolen, but when asked about her opinion on the situation Magdalena responded calmly. She said that the individual who took the work considered it a good one. She then suggested creating a new version of the box out of plexiglass, which became the box featured here.
Canadian Nest
Huir No Es Posible
Amour-Amitie-Art…
Contemporary Icons, Portraits/collages of persons crossing my (Life) way- where I feel a Vision- a Feu Sacre to a task- a goal they create herself……
Agua Para La Difunta Correa…
The Bible
Then the Lord God made the man fall into a deep sleep and while he was sleeping he took out one of the man’s ribs and closed up the flesh. He formed a woman out of the rib and brought her to him. Then the man said, “At last here is one of my own kind.”
Genesis v, 22-23
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If I could place history on a light box
and make its face transparent
I could illuminate its unseen structure
upon which its strength depends.
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GRRRLS Teen Box Project.
Volcanicas
Little Cooker
May You Continue To Inspire
Pusa
Jewelry Box (Volvoi)
La Boda
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Top: the 3 jewels (the Buddha, the Dharma (teachings) and the Sangha (spiritual community)
Color: yellow for the Lama’s robes
Images: lotus flower, 3 jewels with Bon swastika (Bon was the religion of Tibet before Buddhism), fish, vase with flowers
Inside the Box: barley
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Aves Migratorias
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Top: apple
Images: flower, river, high mountains, rainbow, flower and rainbow on top
Inside the Box: yak cheese
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GRRRLS Teen Box Project.
If it weren’t for her skull, the head would cave in on itself.
Assemblage
The possibility of sharing something the size of the small box. Will my contribution also be small or tiny?
But still, it may be overflowing…
Like always, I will not draw, but write. I will set tiny signs without meaning. May the occasional spectator find a new meaning of his/her own.
Estemos Atentos!!
Cobijado Vida
Made 1991
We Create Life
Withdrawal
Withdrawal into a coffin, which feels like a tub that may only be locked from the inside.
Withdrawal like a hurt fox withdraws into her fox-den to lick her wounds to put one’s dreams in order.
One, who is carried inside by some people anyway, becomes only rarely visible for the outside. (Only few can feel and understand the distance originating thereof, and are therefore especially close) from life, from the existence.
To bring dying to an end & to begin anew.
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Passive……Active
A box like this usually serves as a passive provider; it normally contains valuables. By changing the constituent parts of the box, it becomes open, evoking the association of a computer, an active servant.
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Irony rescues the idea from remaining in an abstract area so it can transform itself into fact, mobility, into continuous experience. This is the basic idea behind my work.
Taking apart the governmental apparatus in which the situation of the woman is always in the background; the critical observation of the external is accompanied by the capacity of my own recognition. Then the work surges from a free montage of connections of images and thoughts.
Welcome
GRRRLS Australia Teens project.
Permanent Love
“Love’s over brimming mystery joins life and death.” Tagore
In former times, Romeo and Juliet could not remain together, and were willing to die side by side. In recent days, the modern Romeo and Juliet ran from the Bosnian siege, also dying side by side. How many such unhappy love stories are there over the world?
I believe in destiny. I make this box as a coffin, with the wish that it is the house of girls and boys, women and men who love one another, yet are not able to become man and wife. This box is a love coffin for Permanent Love.
Men and women in love, whether old or young, may die, but their love still remains, it never dies. They will lie in the same coffin, and pray to live together in many future lives.
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Yes, I Remember
Wishes Sealed in Gold
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La Anunciacion
Couple
When two do not recognize their internal forces they remain prisoners of their facade and they add this facade to the other. Thus inevitably they will be attached to each other by an intricate chain, forgetting their own space, staying knotted and desperately isolated.
Keeping the Lid On
I am interested in the matters of the psyche and how that is reflected in everyday life, as well as myth, symbol and stories. This work Keeping the Lid On could also be called a bee in her bonnet or stirring up a hornet’s nest.
Jan Fieldsend from WOMEN BEYOND BORDERS on Vimeo.
Kristine’s Hope Chest
The central character in this visual story is the Hope Chest. I play a secondary role and I am represented here by the paper mache figure with the hole in her soul and an exposed heart. The setting “Life” is a jigsaw puzzle piece cut from a chess board.
The first things to be taken out of the chest are my sketchbook and pencil. There are three other items on the board and they symbolize external influences that always shadow my moves.
The contents of the chest are: two teddy bears, a doll, a key, a warm knitted blanket, a couple of books, paintings (my work and that of others), pencils, a tin angel and bits of coloured wire. All these items are needed by this nest builder to turn a room or apartment into HOME.
The colourful tin angel was given by a friend, here it means friendships and friends who are sometimes angels.
The colourful curly corkscrew bits of wire are the wonder and amazement that I carry around with me.
On the inside of the lid is a rejection notice from the New Yorker Magazine, and a letter written by my granny when she was 65. She lived and died in Latvia. She learned enough English to cobble together a now cherished letter to her 10 year old granddaughter.
I write a lot of letters and the stamps are the decals from my travels by mail.
Transparent Box
100 Tears of the Dolphin
Ojos Para Ver el Mundo
Web of Complexity
As an artist, arts educator and mother of two daughters, I continually open small doors. Doors can be understood as metaphors for insights into life, as they shed light on the personal, social and political issues that impact our everyday lives. As we navigate through these doors we find a continuous reconstruction of our own identities. The dialogue within the box, and its door, conjures associations concerning questions of history and healing. Gauze, from my grandmother’s tombstone, is soaked in beeswax. It covers the wool felt, which surrounds a vessel housing the fragments of body tissue.
Ellas Se Aman
Black and White, Day and Night
Talking Box
Reliquary
Drinking Well
Untitled
Love Death
Loves Me – Loves Me Not
To be loved by the person one loves is everyone’s dream. It is a simple and obvious feeling, yet often pregnant with anxiety. Am I really loved by the one I love? To answer this question many people – or at least young girls – have picked daisies in the summer and plucked the petals to get an intimation of fate’s understanding of the other’s feelings.
That love is not a simple matter is, perhaps, one of our earliest lessons. We must hope that the daisy petals have not been disruptive of health or future. But in former times it was common to try to influence one’s love-life with various herbs. In his anthology Om Folkmedicinens Lakeorter. (Medicinal Herbs in Popular Medicine- 1981), Matts Bergmark has listed plants that are aphrodisiacs, as well as otherwise beneficial. The Valerian root has, for many centuries, been connected with many properties. Its French name is guerit tout, cure all, and in Egyptian mythology it was connected with the cat family and the subject of special worship. In Norse mythology Valerian was connected with Freja. It was an ingredient in aphrodisiacs and, with Mistletoe, was considered to further fertility.
But if fertility has been sought, the fear of giving birth to an unwanted child has been all the stronger. Juniperus Sabina, a relation of the Juniper, is filled with volatile oil in its branches and has gained its name, Sabina, from the Sabine people who lived near to Rome. A decoction of Juniperus Sabina was widely used as an abortifacient. But if the fetus died the mother frequently followed it into the realm of death. For a mere six drops of the ether sufficed for an overdose leading to a painfully slow death.
Cortinas de Humo
Little Chest of Chivalry
Heart-A-Facts
Spatium, Leerstelle – Empty Space
Untitled
Self Portrait #2
My work is a personal investigation which began as an attempt to see the body through the photographic medium in ways which are impossible with the naked eye.
I realize that we view images of the body very differently when they are life size or larger. Other objects do not hold such power and are always subject to interpretation of space when confronted by differences in size. The body, although conforming to the same rules of perspective, also holds another set of rules. The body is the common denominator of all the viewers, it is something to relate with on the most personal and intimate basis.
When working in photography it is important to remember that, unfortunately, photography is the choice medium of pornographers. It is a transparent medium; one that is taken of evidence of objective truth with little subjective interdiction. Any picture of a body is not necessarily thought of as a picture of a body, but as a body. We see through the portal of the pictures medium and look at the picture as evidence of truth…or of the body itself. A painting of a body has a different emotional charge than a photograph of the same body. Where a painting of the body would be considered sensual, a photograph of the same body is considered pornographic.
I am dealing with the total involvement of the figure and the role and relationship of the artist and viewer.
Links
Women’s links Drinking coffee at 1000 parker
go beyond borders Coffee stains on my mind
Grains-cross-grains Grains-cross-grains
not beyond borders Coffee grounds borders
North
South
East
West
Earth-stones-crystals
fired by earth’s center
Air
Water
Earth
Fire
Coffee Drips into this box Coffee drips into this box
I pour it out of the four corners Coffee stains the wood
North
East
South
West
Drinking coffee at 1000 Parker Coffee dripping into this box
Thinking of you Vancouver, B.C., Canada
Air
Water
Earth
Fire
Drinking coffee and thinking of you Thinking of you
Drinking coffee Coffee stains on my body
North Coffee stains
East Coffee grains
South Coffee grounds
West Coffee thoughts
A Piece of My Heart
mary daley’s gyn/cology and wickedary
germaine greer’s the obstacle race
zora neale hurston’s their eyes were watching god
ruth klüger’s weiter leben: eine jugend
toni morrison’s playing in the dark
grace paley’s 3 short stories
adrianne rich’s of woman born
alice walker’s in search of our mother’s gardens
Untitled
Blue skies, sun rises, sun sets.
Very quickly, you leave us
Like a bow leaving it’s arrow.
We stay. It’s good to stay.
Our future is good.
Top: flower
Images: Knot of eternity, eight-petaled flower, Bon swastika, 3 jewels (the Buddha, the Dharma (teachings) and the Sangha (spiritual community), sun, moon, flowers
Inside the Box: Kata (white scarf used as offering to Lamas or enlightened people)
Text: World Peace
Blue sky, sun rises, sun sets.
Very quickly, you leave us
Like a bow leaving it’s arrow.
We stay. It’s good to stay.
Our future is good.
El Busca de la Cruz del Sur
Untitled
Untitled
Agora
Untitled
Untitled
This contribution has the intention of respecting the original box in its form and functionality. The dear box brings important and meaningful images to my mind. It can be said that I collect shapes of different character and dimension. At times my sculptures are developed from one of these shapes. Today I have put together a number of them as protagonists of our origin, our roots: an exuberant treasure that all of us can return to.
The Circle of Life
African Pot
Torn Apart By the Almighty Dollar
Untitled
Changing Woman
Brick
The Story of Late Chen Yuen Mei (Ma Che)
The work focuses on the life story of late Chen, a ma che or domestic servant, who came to Singapore from China in the early twentieth century. Despite having a hard life, she persevered for a brighter future. With her meager earnings, she supported her entire family in China, and contributed towards the purchase of 51 Neil Road. The premises housed the former Yuek Ann Tang which was a temple as well as an association that served as a refuge for ma ches; these women like Chen, were alone and poor. In her old age, Chen suffered from Alzheimer’s disease. Chen gains my utmost respect, not only for her contributions to the association, but also for her outstanding character. She demonstrated strength and perseverance throughout her life. The work aims to develop an invisible space beyond the box, and includes a web site that walks one through the places where she lived. To fulfill Chen’s dream of a grand funeral and send-off on her last journey, the box serves as her coffin.



