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BOXES beyond borders

Sor Juana

Sor Juana Ines De La Cruz was a 16th century Mexican nun. Not only was she one of the greatest poets and playwrights of her time, she was also the first person on this continent to argue in writing for the rights of women to be educated.

In Sor Juana’s time, a girl had only two real choices: she could marry or she could join a convent. Juana was illegitimate and had no father to pay her dowry, so marriage to a wealthy man who might foster her deep love for knowledge was out of the question. Marriage to a poor man would end her education, so reluctantly she joined a convent. In her convent she had extensive free time which allowed her to continue her studies.

Although she was not allowed to leave the convent, she was allowed visitors and many important people came regularly to visit this brilliant woman. She became quite famous and her books were bestsellers in Spain.

Defying the Inquisition and the profoundly patriarchal world she lived in, she filled her room with over 4000 books and wrote voluminously, particularly poetry. Later in life, she was threatened into silence by the male Church hierarchy and forced to sign a statement of repentance.

Her final days were spent caring for the poor, and she died after she gave up writing while caring for her sisters during a plague.

In her room was a sign that she had not completely surrendered; an unfinished poem, carefully hidden.

Skin Deep

Spilling out of a Pandora’s box, previously concealed truths reveal themselves. A hand, a living experience and the intuition it contains, is full of signification. This can be translated in a multiplicity of paradoxical ways.

Beauty is a socioeconomic and political construction. How we depict women in art opens up a dialogue and an opportunity to affect our inter-relationships. We are not alone in deriving pleasure from the spectacle.  Manet’s Olympia, and the official ideology she implies, returns our gaze.

 

Nurture

We take care of things that are important to us. The females of most species are considered to be nurturers and keepers of the “nest”.

Being and artist has allowed me the opportunity to nurture the things that are most important to me – represented by the golden eggs in the nest of brushes. I care about many things and to limit myself to representing just four became a daunting task – I thought about Peace, Love, Compassion and Creativity, but upon reflection each day, the list grew. How could I not mention family, good health, rich soil and clean water, friendships and the miracle of simply being whole?

So without putting words to the golden eggs, I’ll leave it for those who view the art to ponder…How and what will you “nurture” in your life? We must take care of what is most precious to us.

Dreams Fly

Inside this box, within a bird, a dream is sealed.

Please PICK-UP and hold this wise, matriarchal creature. Shake her gently and listen. Hear her dream stir? What is within her; within you? Permit your vision to awaken emboldened, released with wings spread and soar beyond every limitation that you impress upon yourself.

Goethe said, “Whatever you do, or dream you can begin it. Boldness has genius, power and magic in it.” Truly, all women have dreams and passions pleading to be set free on the wings of imaginary flight.