Category: Struggle
War Box
Since time began, mothers have nurtured, loved, taught, protected, cherished and raised their babies, then watched them grow to be killed in war or by war. This inevitable cycle will repeat itself for untold generations unless our mothers’ universal plea to Stop The Killing results in WAR NO MORE!
Sor Juana
Sor Juana Ines De La Cruz was a 16th century Mexican nun. Not only was she one of the greatest poets and playwrights of her time, she was also the first person on this continent to argue in writing for the rights of women to be educated.
In Sor Juana’s time, a girl had only two real choices: she could marry or she could join a convent. Juana was illegitimate and had no father to pay her dowry, so marriage to a wealthy man who might foster her deep love for knowledge was out of the question. Marriage to a poor man would end her education, so reluctantly she joined a convent. In her convent she had extensive free time which allowed her to continue her studies.
Although she was not allowed to leave the convent, she was allowed visitors and many important people came regularly to visit this brilliant woman. She became quite famous and her books were bestsellers in Spain.
Defying the Inquisition and the profoundly patriarchal world she lived in, she filled her room with over 4000 books and wrote voluminously, particularly poetry. Later in life, she was threatened into silence by the male Church hierarchy and forced to sign a statement of repentance.
Her final days were spent caring for the poor, and she died after she gave up writing while caring for her sisters during a plague.
In her room was a sign that she had not completely surrendered; an unfinished poem, carefully hidden.
Leaving the Nest
jumbled, preserved
leaving, changing, growing
blown away, chaotic, frightened, shattered
exhilarated, hopeful, remembering, loved
shaping, moving, forming
fragile, strong
nest
Women’s Movement…
Cancer
In the past
people asked me
sometimes
what is your sign
and I said
cancer
because I was born
on the 6th of July.
Now I got the disease
or the disease got me
and I hate
this word:
cancer.
I lost my hair
I lost my breast
and I may lose
my life-
who knows-to
cancer.
But I am not alone
185,000 women a year
are getting it and
we are all asking why
cancer
Why all the poison
in our food, our water,
our air, what did we
do to nature, where
is the F.D.A.? It is not
only tobacco which is
killing us. How can we
fight the enemy
cancer?
Half Breed
Come on Breathe!
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Dolores Huerta, SOCIAL ACTIVIST, LABOR LEADER AND CO-FOUNDER OF UNITED FARM WORKERS
Grace Elizabeth Davis, WRITER, MOTHER AND MARATHON RUNNER
These trophies are awards to the plights that we face as women.
Dolores Huerta wanted to help her students who came to class barefoot and hungry. Through her community work she co-founded the United Farm Workers Union. At 76 years old she continues to lecture and lobby for the UFW, a model used by global labor unions as a testimony to the rights of workers.
Grace Davis, writer/runner/mother, known for “Katrina Relief” brought aid to the hurricane victims of New Orleans, the first to use blogging as a medium in disaster relief.
In our endeavors, our lives can be in danger, our pasts can haunt us, our vulnerabilities can be exposed.
Unselfishly, women strive to be all things to everyone; we endure the odds guided by our passion to care for our world families.
Dolores Huerta: Social Activist, Labor Leader, and Founder of United Farm Workers
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Dolores Huerta, SOCIAL ACTIVIST, LABOR LEADER AND CO-FOUNDER OF UNITED FARM WORKERS and Terry Acebo Davis, ARTIST
These trophies are awards to the plights that we face as women.
Dolores Huerta wanted to help her students who came to class barefoot and hungry. Through her community work she co-founded the United Farm Workers Union. At 76 years old she continues to lecture and lobby for the UFW, a model used by global labor unions as a testimony to the rights of workers.
In our endeavors, our lives can be in danger, our pasts can haunt us, our vulnerabilities can be exposed.
Unselfishly, women strive to be all things to everyone; we endure the odds guided by our passion to care for our world families.
Separation
April 1975, Vietnam: Everyone knows the communists will over run Saigon, but no one expected it to happen so fast. Over the last month the sound of gunfire and explosions have slowly increased in frequency and force. We are so used to it that it has become a sort of background noise no one pays any attention to. Despite this I remember waking on April 30th, alarmed at how close the sound of gun-fire and explosions was to our neighborhood. The city was in chaos, dark smoke blanketed the horizon as people ran with whatever belonging they could carry. But as I watched it seemed that very few had any idea of where to go.
My family and I hurriedly packed some clothes and fled to a friends house in another part of the city called Cho-Lon which was safer. We could no longer stay in our home because it was near an army camp and therefore dangerous. My father was not with us because he and my mother had separated years earlier. Adding to our anxiety was a rumor that the communists have threatened to flatten Saigon if there is resistance. By noon the presidential palace had fallen and we knew it was all over. I was only 7 years old at the time and did not realize how bad the situation was, so I innocently told my mom that now Vietnam will be one country again so she can go back to North Vietnam to see grandmother. My mom was delighted with the thought.
Later that afternoon we drove to the harbor to see what was going on since the radio station had been captured by the communist and we no longer were getting any news. As we drove around the streets were now completely deserted and an strange silence had fallen on the city. The only people we saw were a few people left still burning records and documents in front of some government and military installations. More ominous was the fact that in the harbor most of the navy and merchant ships had already left. I asked my mom what was going on but she seemed lost in her thoughts, maybe she was thinking of the harsh choice she would soon have to make.
My uncle and his wife had been staying one step ahead of the communists since they fled the central highlands. Because of the speed of the communist advance, the roads were jammed with refugees fleeing south making progress impossible for vehicles. Even though they did not want to be separated, my uncle was forced to put his wife on one of the boats heading to Saigon because she was pregnant and would never be able to keep up on foot. When he finally made it to Saigon a few weeks later, he found out that his wife has not arrived and not knowing where she was or what else to do, decided to stay with us in hope that she would find him. Later we learned that the boat she was on had unexpectedly dropped everyone, including his wife, off at Cam Ranh Bay (another city in the central highlands) to go back north for more refugees. My poor aunt was unable to find a way to get to Saigon until after the fighting was over and escape was impossible.
Meanwhile for the rest of us, time was running out. We knew that if we were going to leave it had to be now. We waved down one of the few remaining navy boats which was headed out to sea but stopped to pick us up. At this time not everyone was willing to escape by boat so while it was crowded, there was none of the panic and fighting such as I saw in the photos taken at the American Embassy that day as the last helicopters were leaving. The gun-fire was getting closer and my uncle was torn between staying to look for his wife and escaping, he was worried that he and his wife would face retribution if he stayed because he had been in the army. My mother was hesitant to get on board because she had to choose between leaving with us or staying so that she could see her mother for the first time since 1954 when north and south Vietnam were separated. Finally she decided to stay and promised to find us after the war ended. As the boat pulled away I can still remember my mother standing on the dock, crying and waving to us. I was yelling : “Stop the boat, go back and get my mom”, but it was too late. In those few minutes my family was torn apart and for last time I saw Vietnam. As my mother watched the boat leaving with her children she was overcome with grief and changed her mind. Desperately she stood at the dock for five hours waiting for another boat to take her out to our ship, but none came.
On the way out of Saigon, we saw hundreds of returning boats and some of them warned us not to go on because troops were shooting at any boats trying to escape to the open sea. The people on our boat were very determined and decided to take their chances and leave.
Many of the boats we saw leaving were severely overloaded and one of the ships had run aground in shallow water. Our smaller boat pulled alongside the old, rust streaked ship and an agreement was reached that everyone who wanted to could transfer from our boat to the ship, and in return our boat would help pull the ship into deeper water. After struggling for three or four hours both vessels finally reached deep water and all passengers were transferred. The small boat turned back toward Saigon, taking a few people who had changed their minds and decided to go back. The ship, even more overcrowded than before slowly headed out to the open ocean for the long dangerous voyage ahead. Even though we had made it out of Saigon there was no celebrating, everyone was dwelling on what they had left behind and what the uncertain future would hold. That night was pitch black, there were no lights on our ship or on shore. We watched fireworks shooting up from the coastal villages into the dark sky. The communists were celebrating their victory and we could hear one of the generals broadcasting a new set of rules which he called ” the ten commandments “. These commandments were to govern life for those left behind in the new Vietnam. Our intended destination was Singapore and we slowly headed south. The weather was good and if it were not for the grim circumstances I might have been able to appreciate the beauty of the blue ocean and the small islands we passed. Once we saw some whales which terrified everyone because they were nearly as large as our ship and came very close. When I look back on the event, I think that everyone leaning over one side to watch the whales was more dangerous to the ship than the whales themselves.
Things started to go seriously wrong a couple of days into the journey when our engine broke down. I guess this was not very surprising considering how old and decrepit our ship was to start with. There were many more small boats from coastal villages followed us and dumping refugees onto our ship each day. The water started to coming in from an existing hole on the side of the hull of our ship which is now below the waterline because of the refugees’ weight. After drifting a few days, our food and water were running out, making an already bad situation very desperate. People started to fight over food and water. Everyone was being very careful to ration their water and food except for this popular singer from Saigon who would use a great deal of her small supply of water to wash her face each day. Obviously some people are more afraid of being unattractive than dying.
Everyone thought that we were going to die slowly and horribly, despair settled over the ship like a numbing fog. A man near me decided not to wait and shot himself in the head. I remember screaming when his blood and brain tissue splattering on me. On the crowded deck there was no where to store the body so there was no choice but to toss his body overboard and within minutes the sharks were fighting over it. As days passed, so great was my fear and loss that I felt neither hunger or thirst. My mind had cut off my ability to feel or comprehend what was happening around me, which was maybe a good thing considering what life was like onboard. Even though the ship was extremely overcrowded there was very little talking, everyone seemed wrapped up in their own misery. My brother and sister sat nearby crying and hugging each other. The crowding was so great that one night when I stood up to stretch, I found that I could no longer find a space to sit back down so I ended up standing the entire night until I collapsed. Having learned my lesson I did not get up again until we were rescued.
Despite our SOS signals and desperate attempts to get their attention, many ships passed us by without stopping but finally after floating what seemed like forever we were picked up by a Danish freighter out of Thailand on their way to Hong Kong. After being left by so many other ships, everyone was afraid that if we did not get onboard the freighter fast enough they would leave without us. Most of the people started to panic and there was a lot of pushing and shoving to get on board. Some fights even broke out and many passengers left their personal belongings behind in the mad rush. One man’s leg got crushed between the two ships when they collided into each other. Many others fell into the water and drowned during the rescued. By the time we were rescued, I could not move my legs because of sitting in one spot for so long; I had to be carried up to the freighter by one of the ship’s crew. That night as I was resting from my ordeal someone stole all the cash and jewelry that my mother had given me.
So when it was over all I had left of Vietnam were memories of people and places that had been left behind. For many years afterward, I would get angry when I thought about what had happened and what I lost. I was not angry at anyone in particular, rather I was angry how events and ideologies which I did not understand could take me from everything I knew and loved. After my mother and other members of my family have moved here recently, I finally have the chance once again to know the family I lost twenty years ago.
Justica
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Julie Su, Esq., LITIGATION DIRECTOR, ASIAN PACIFIC AMERICAN LEGAL CENTER, RECIPIENT OF THE MACARTHUR GENIUS GRANT and Nancy White, ARTIST
Too often, we fail to think about where the clothes we wear actually come from. Clothes, like this necklace, are worn, but they are also made—made of fabric sewn together by human beings. Women workers are the faces behind the garments we wear, hidden as in this locket, invisible, yet upon closer examination, resilient, strong, able to rise up against exploitation and sweatshop conditions to raise one voice, in many languages, for justice.
Threading Water
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
JANET LEAHY, EXECUTIVE PRODUCER OF “BOSTON LEGAL” TELEVISION SHOW
1 small wooden box
5 Peruvian worry dolls
1 drill
800 holes
1 can black spray paint
countless threads
1 very small crochet hook
one artist
one executive television producer
one collaboration
one phone call
many many emails
one new friendship
Threading Water honors women, mothers, daughters, friends, workers, wives who feel pulled in all directions while trying to stay afloat.
Energy of Thought, Word and Deed
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Rita Ryder, PRESIDENT OF STRATEGIC INITIATIVES, YWCA
Our sculpture represents the day-to-day work of the YWCA, providing hope and opportunity to women and families. Our ceramic hands represent our entire, diverse community joining together to help women and families overcome critical issues that undermine their lives: homelessness, poverty, domestic violence and unemployment.
Working together, we move women and families forward—breaking the cycle of poverty and hopelessness, and improving the quality of their lives.
Keeping On Course
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Barbara Boxer, U.S. SENATOR FROM THE STATE OF CALIFORNIA and Barbara Leventhal-Stern
The first words I associate with Senator Barbara Boxer are passion and courage. In my mind, I saw an image of a boat that “keeps on course”.
Because the exhibition serves to inspire young women who could be faced with adversity or hard decisions, I inserted excerpts from our email dialogue so they could read about the sources of her commitment themselves.
Thanks to Senator Boxer, and Michael and Adrienne, her talented staff.
Pam’s Tear Box
Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.
Pam Praeger, VICE PRESIDENT OF LEARNING, SPOKANE FALLS COMMUNITY COLLEGE
One of the first things that Pam said to me was, “I don’t know if anyone mentioned it to you but I lost my daughter in May and I’m still struggling with the loss.” She said it almost apologetically. As I got to know Pam it became clear that Tara, the lost daughter, set a high bar for her mother through the lessons she taught the whole family during her dying. I also learned that Pam and Tara are a lot alike. Even in pain Pam’s first impulse was to help me. I knew instinctively that it was also what Tara would have done. I am grateful to Pam and Tara for their generosity and honesty. During our time together Pam cried more than once and each time she seemed at a loss about what to do with her tears. So I’ve made a Magic box for those tears. Its capacity is endless.
Representation of a Population
Culver City Highschool. Age 12.
My box is a representation of my population, African Americans. Throughout history, my people always had something to represent. From the motherland to this present day we have represented life, struggle, triumph, and perseverance. But as we begin a new generation, what do we have to represent now? What do we have to show our future, besides being a statistic?
Untitled
Living Out of the Box (As a Survivor)
Tajima. An artist and an extraordinary woman collaborate to create a box.
Beverlye Hyman Fead, CANCER SURVIVOR and Rita Rivest, ARTIST
The theme of my box is how much happier I am today — living out of the box. For half my life, I lived within the confines of the box and when I realized I was dying inside, I moved on.
Inside the bottom of the box are names of women I admire that have chosen unusual roads for themselves. They inspired me to move away from everything I knew and start over. When I became a cancer survivor, it was then I realized I had been a survivor of sorts all my life and now I could start inspiring others.
I wrote a book and have decoupaged pieces of my book on and inside my box. My banners of survivorship and living my life in my own way, wave triumphantly from the box spurring me on. I hope they will have the same effect on any woman, young or old, who will see this box.
Rita Rivest, my friend and soul sister, has been my mentor and my muse in this project. Thank you, Rita.
Dreams of Dancing
Idee Levitan, an artist and patron of the arts, world traveler, lifelong philosophy student, adventure seeker, mountain climber, wife, friend, and proud member of a most independent sisterhood of polio survivors, died before she had the opportunity to work on the Women Beyond Borders project. The virgin box was among the mementos Idee’s husband sent to me. My dearest soulmate, Elena Mary Siff, invited me to create a tribute to Idee’s spirit so that Idee might be a part of an intriguing and profound exhibition she would have heartily embraced. The Wheel Chair could not contain her Dreams of Dancing…
Opportunity Gap
This box purports to show the great disparity of living standards in the United States and the enormous differences in the haves and the have-nots.
In the 1970’s I photographed migrant workers in central Florida. The situation there was not too different from the photographs taken by the Farm Security Administration in the Thirties and the situation is the same today. In one camp far from civilization the workers lived in converted buses with 1 toilet and shower facility for over 70 people. The children did not attend schools as they were too far away. When the government finally closed the camp, they simply moved further into the outback.
Whole families worked the groves, including young children, but that was the only way the families could earn enough for the day.
Contrast this with the luxurious life styles of some today. There is a widening gap between the rich and the poor. As technology dominates the employment field, those with little education are doomed to low paying or no jobs at all. Our society is becoming more stratified economically.
Bearing One Another’s Burdens
As I contemplated my involvement in this project I was immediately drawn to the reverent simplicity of the tiny redwood box. As I held the box and pondered its humble strength and quiet stability I was instantly reminded of the strength, perseverance and poise-under-pressure that often signifies women in general. This strength of endurance caused me to then think of the many burdens we all carry around with us, and how much lighter the burden can be when we know someone is helping to carry the load. The Bible reminds us to share in each other’s trials. By helping to bear the load brought on by death, illness, heartbreak, loneliness or other oppressions, we offer comfort and hope.
In creating this visual testimony I attached the lid to the box and produced a stable and strong vessel. The vessel houses the strength, perseverance and love that together can lift, carry and support the great weight of the burden that is placed upon it. The burden, a complex aggregate rock, is both rugged and smooth in its makeup. Beneath the rock is a cushion, a sheet of gold, intended to soften the burden. The rock is bound to the box with a tightly wrapped and intertwined cord. The cord is the weakest element. It can be cut, and at any time the burden can be lifted. The cord reminds us of our obligation.
It is my intent that this box stand as a reminder to all of us to humbly bear one another’s burdens, to encourage and strengthen one another, to love, honor and pray for one another. By helping to bear the burdens, we find joy in knowing that we have contributed to the needs of others. By bearing one another’s burdens there are blessings to be found in the midst of tribulation; there are victories to be found in hidden places.
A Broadway Director Dreams
Muestrario de un Corazon Roto
Peace Offering
Peace Offering is about seeing the angelic possibilities in our existence on the Earth, despite all adversity. It is so easy to forget that goodness is as real as horror when we are in the midst of difficulties. I hope that my offering to the Women Beyond Borders project will serve as a beacon to remind us of the beauty and light that is always within our reach.
Untitled
Pandora’s Box
The subject of this work, Pandora, like Eve, Lillith, Medusa, had her meaning and function inverted during the establishment of the patriarchal gods. Originally a persona of the earth goddess who rose from the earth with outstretched arms bringing life sustaining gifts of fruit and plants, she was rewritten, and like Eve became the source of misery and punishment for the human race.
Couple
When two do not recognize their internal forces they remain prisoners of their facade and they add this facade to the other. Thus inevitably they will be attached to each other by an intricate chain, forgetting their own space, staying knotted and desperately isolated.
Heart-A-Facts
Torn Apart By the Almighty Dollar
Eve in the Box
The outside is an elaborate facade but Inside is a woman who is tied up in the dark. She can struggle and come out of the box to free herself.
Indulgence
This project is based primarily on my interaction with family members – my mother and sisters. I have chosen to engage in this community and my interaction with them started more than twenty years ago. All of them now are working females, already spending half their lives working, financing their flats, maintaining households, and taking care of children and husbands. Growing up in such an environment has prompted me to have many thoughts. As an artist and having the privilege to express, I included this engagement in my artwork to reflect and to question the roles of women in our modern society today.
Iamthereflectionofyoubutdoyouseetheconfusioninsideofme?
Culver City High School. Grade 11.
Inside of me there is a thin line between depression and happiness. Sometimes I dangle between the two, as if I am suspended on a wire and tied up by my own thoughts. Outside I am the reflection of everyone around me. You look at me and see yourself, see who and what you want to see. Although you look at me forever, you will forever see your own reflection and never penetrate to the inside where I am forever suspended between the two poles of my mind.
I Can See Beyond…
I Can See Beyond the Forest and Thru the Trees Now speaks for all modern women and will hopefully in the future. We no longer are tied to aprons, but represent a significant change in our roles, as mothers, policy makers and breadwinners. In the 60’s, we were underpaid as educators and had less chance to be put into responsible position in life than our counterparts. We have come a long way in forming the framework for the future.
Overflowing
As the world’s population increases at alarming rates, heavy human consumption is producing drastic amounts of waste and garbage. Landfills are overflowing and space for containing our trash is limited. This box represents Earth’s limited available space for containing our waste. By recycling, we can collectively help to prolong the Earth’s beautiful and natural elements.
Untitled
Green, yellow and blue are the colors of our flag. Rwanda, a nation recovering from the blood shed of man. The red doom is the symbol of Genocide and the white cross with the bleeding heart of Jesus, who sacrificed that Rwanda be made clean, symbolized by the white cross.
Yellow is sunshine, hope for Rwanda. Green is life and growth and blue is reconciliation, possible only though the blood of Jesus.
The Refugee
The Ideal Women
The work challenges the notion of an ideal woman and our perception of a perfect appearance. The Ideal Woman exists today in various forms. The construction of the ideal woman is constantly propagated by the media, mass culture and social standards. Reconstruction with corrective surgery, Cyber-heroines modeled in the realm of virtual reality, Plastic dolls with envious 38″-18″-34″ dimensions are but just a few examples of what influences our conscious psyche.
The box presents a metal pedestal upon which women fixate the psychological image of an ideal woman. The proliferation of body types littering the box illustrates the quest to attain the ideal image through various stages of her life. The doll parodies a woman’s fixation with her own body and her quest to find the perfect body. Swathed in slim-wrap, draped with a tape measure, the woman is never satisfied and the craving for the image of the ideal woman never stops.
So, pause! What / who / where is the Ideal Woman? A fiction of our imagination, mostly.
Today Women
Women in today’s world have various facets, she is expected to fulfill multiple roles and there exist many issues which demands her time and energy. The 4 sides of the box depict today women various circles of concern;
Family- She has to fulfill the role of good daughter to her parents, a loving wife to her husband and of course, a caring mother to her children. She doesn’t only need to spend quality time with each but is also expected to keep in touch with their worlds, traditions and trends. Hence, observation of traditional customs such as Chinese New Year, celebrating Valentine’s day, knowing the difference between Ash, Pikachu and Teletubbies…the list goes on.
Career- She is naturally the co-bread winner, especially in Singapore’s society. In a knowledge based economy she has to fulfill the expectations and obligations of a model employee. She is expected to be efficient, innovative, receptive to the ever changing corporate identity (mergers and acquisitions making it more exciting), requirements and culture.
Social- In between all the juggling, she keeps herself updated of the news, happenings, fashion, trends, movies, television programs (even if she has no time for them–at least she must know what’s showing!) And definitely, squeeze in time for friends, neighbors, and maybe even some charitable work.
Self-Intellectual/Spiritual/Physical- In an increasingly borderless world, life long learning is becoming the norm–continuous education, for the diploma holders–the dream is to obtain a degree. For the degree holders, the aim is to complete an MBA, for the MBA and MSC holders–a Ph.D.? Today, women must keep in touch with the internet world–or else she would be lost in the sea of information.
Health is important too–so time is needed for exercise. Of course, not to forget spiritual needs as well.
Reflection- Today women, to perform her roles well–is that a challenge or an expectation? In today society, there is no other alternative, so today women must make best of whatever resource she has, develop her skills, increase her knowledge and extend her circle of influence–with the sole objective of playing her roles well.
Untitled
Endless Beauty
My work deals with the femininity of a woman, as she struggles not only to be part of society’s work force, but also to maintain her appearance as changes are brought about through aging. Instead of the small wooden box, I have cast a larger box from wax, not only to enhance its appearance but also to give that sense of being alive. The box itself is wrapped up with skin and it is this same skin that are stacked inside the box in repetitive folds. The wrapped box together with the folded repetitive skin represents the struggles of a modern woman in the community, to which she has, to balance between society and the family, and yet maintain her >endless beauty for society.
For My Mother Virginia
I want to know if you can get up after a night of grief and despair weary
and bruised to the bone and do what needs to be done for the children.
-Anonymous Tewa Source
Seeking…Longing…Yet Trapped
The yearning of a suppressed voice….seeking to be heard….longing for a place for total freedom….The complex and inner struggle trapped by traditional value….
Hatred, Unity, Rwanda
Self-Portrait
Teenager Boxes, Culver City High School, Grade 12.
All I want is not to feel like this every second of my life.
Cosmic Blue
I learn to speak my truth, my voice having been stifled by a paralysis of childhood origins.
Untitled
This illness is like the box itself. Hwee Choo has let the simplicity of her words speak for her. Though the box may represent the ravages of cancer, the body still holds a bright and vibrant heart, undivided by the struggle.
Untitled
You may read and see,
But you can’t touch her.
You may look and sympathize,
But you can’t feel her pain.
You may think the wound is healed,
But you don’t know it stays forever.
She trusts to be loved and guarded,
And in return she got that.
She isolates herself from you
As her world is dark and lonely.
She is suffering behind that smile,
You don’t even realize it.
She is unable to accept the truth,
As it hurts to talk about it.
Listen now… “Why me!
I trusted him and this is the time when he RAPED me”
The Price Of Beauty
My piece is a treasure box that is beautiful and appealing on the outside, but on the inside it contains the bad things about being a woman, i.e. dieting, sex, wrinkles, which in turn is the price of beauty.
Wooden Box + Glass Waterfall + Light
Who am I?
As a growing teenager, I often find it hard to determine who I am as an individual. I used the box as an icon of my self-being. I feel as a teenager we often take life for granted and forget how every decision we make is an important one. The stilts on the box are there to exaggerate how important the choices you make in life are. The shattered pieces of glass, directed toward the box, show the constant pressures in life. I chose mirror to show that by just looking in the mirror at yourself you think about who you are. The box is placed upside down to show how I have built my own shelter, apart from my family to protect myself in this world.
For Ritta
USA/Czech Republic
My sister died before I was a little girl.
She was put in a gas chamber in a
concentration camp.
My daddy was so sad he couldn’t stop
them so he made another little girl right
away so he could forget about Ritta and
be happy again
Only this was not ok with G-d. G-d
thought that this was too fast so he
played a trick on Daddy. He took
Ritta’s soul, which was still very upset
from being starved and gassed and
burned and sent it back to Earth.
Normally a soul would be allowed to
float around out there for a couple
hundred years or more to calm down
after doing Life. So it was shocking for
Ritta’s soul to come back too quickly
and-this was the mean part-to be
stuck in Janicka’s body.
This was very hard for me. I thought I
was supposed to smile. Everyone
wanted me to be a happy pretty little girl
so they could be happy and forget. But,
too bad looked like a bullfrog and I
could tell they thought that and were
ashamed. So no smiles. They didn’t
know about Ritta’s soul and that it took
up so much space may own little heart
didn’t have room to beat.
So along we went, poor starved gassed
and burned Ritta and what was left of
me and no one knew so I was very sad
and lonely. And poor Daddy couldn’t
forget Ritta because she was inside the
little bullfrog.
The Battlefield of Selfhood/ A Box of Empty Shells to Ponder
Beings killing out of jealousy, rage,
betrayal, revenge, self righteousness.
Some die without a loss of body though —
through abuse and intimidation, disagreement.
Untamed emotions creating a battlefield within.
Un-conquered, raw, heartless.
The primary battlefield.
Led from the mind, from the heat of hatred,
destroying another, destroying the Self.
Hear the names of outer battlefields —
Bosnia, Iraq,
Oklahoma City, Somalia, subways in Japan.
In the home,
Couples turning from lovers to killers.
Children killing children.
Anger looming in the human heart —
on the loose, unpredictable.
Where is the greatest battlefield to conquer,
on the terrain or in the heart?
Where to fight the battle?
A box of empty shells to ponder.
Grief Repair
All is metaphor, even that which we may take as fact. Human logic is fragile. The box may represent a construct of human logic. Boxes do not occur in nature. It contains wax with the translucency of human skin, threads, a needle and blood. The needle under the “skin” is a metaphor for the grief of women all over the world in their efforts to keep love and the grace of human relationships and community whole, despite a world which seems eternally based on war and conflict. The needle is used for healing. The box is a prayer for continued courage and creativity.
Untitled
Constraints Faced by Contemporary Women
This work seeks to explore and express the constraints faced by contemporary women who live in public housing apartments–also known as Housing Development Board (HDB) flats–in Singapore. About 86% of Singaporeans are housed in these HDB flats. Like the vast majority, I too live in a HDB flat and one of the personal constraints that I face is the lack of physical space. This inspires me to conceptualize the given wooden box as a block of HDB flats with many dwellers within. Each of the niches in the box represents a female dweller. The different constraints faced, ranging from physical, emotional, mental, and social to religious realms, are reflected in the interior decoration of the units and the contents of the ampoules. Women from different phases in life–teenagers, singles, married with and without children, and retirees–are invited to participate in a survey, and their views are expressed collaboratively in this box.
Untitled
Before 1994, our country was good. After April ’94, blood was shed. Many people died and the majority of genocide survivors are struggling with life.
So, the telephone you see is calling for help. We believe that God is the first to come.
Inside the box, there is my heart. I will never forget my relatives, my friends, children’s blood…
The blue color means that I hope to live happily. Jesus will take me with him.
Posibilidades
What is this piece about? For me, it’s about the danger of sensuality. How we are beckoned by the flesh. How our desire can become our anguish. How a wrong decision can mean death, be it of the spirit or the body. How the need for self-destruction can be initiated in a seemingly healthy person from the hurt and pain of a relationship. Thus — the presence of the sword. Although I also see this sword as positive, perhaps a form of protection or an attribute, like that of Saint Agnes. *
The question of violence enters in here, too. This woman — in all her sensuality — is in a coffin. Why? Was she a victim of violence, of rape? Can our sensual self die under certain circumstances? Is our nudity kept hidden away in a dark, quiet place?
The veil also invokes the mysteriousness of Muslim women, their eyes being their only available sensual feature.
* (Saint Agnes was very beautiful, but she rejected all of her suitors, one of whom became angry and had her condemned to death. Since it was forbidden to execute virgins, she was first sent to a burdel. Nevertheless, no man was able to touch her. After being tortured, she was finally decapitated. She is often portrayed with a sword piercing her breast. She is the patron saint of virginal innocence.)
Parir Me Quiero
My work is completely visceral. Each work or piece that I create is born from an experience or event that has marked my life. For me it holds the meaning of a ritual of celebration, offering, thankfulness or prayer. In this sense I believe that it is profoundly religious. It is my way of struggling with the world, of transforming myself into a “Cleansed One.*”
*Shamanic rite to remove the physical or spiritual evil from one’s person.
Untitled
Involuntary
El Desafio
Whittle Box
My whittle box was created in a moment. I wanted to express through the box something which was inherent about my life as a woman now.
When I began the box, I was looking after a recent exhibition. With time on my hands and feeling at ease and relaxed, I began to craft the box carefully smoothing the edges and finely sanding the surfaces.
I put the box away, took my exhibition to another state and on my return found myself overwhelmed by things to do. Every one wanted a piece of me and I wanted to do it all, but I found myself being whittled away, becoming more fragile with each passing day. I carried my whittle box around with me everywhere, waiting for an opportunity to work on it.
Finally after finding myself locked out of a premises one day tired and frustrated, I took my whittle box out of my bag and began whittling and stuffing the wood shavings back into the box the way I wanted to try and renew myself. After a few hectic minutes of total expression I fell asleep.
My whittle box is an expression of the frustration and fatigue felt by those who give until it hurts, stretch themselves to the limit and find that sometimes, they lose sight of themselves.
Limitation
Each restriction, each limitation is just like a coffin.
Don’t dance, don’t see, don’t speak, don’t do anything and
don’t be what you want to be. . .
Each restriction, each limitation which annihilates natural desires and wishes is like a coffin overwhelming the spirit.
Although all through history and in many educational and governmental systems these coffins have been made for men and women, women have always been more victims of these restrictions and limitations or confined to these coffins.
The Facade of Glamour
The glamour we see in women is not always representative of her inner self. It is just a facade. This box has all that goes with glamour on its outside, but on the inside it has all the turmoil and agony resulting from her daily chores.
Stone Upon Stone
“Stone upon stone is our house on top of the hill White in sunlit dawn and in the moonlight green And betwixt one night and another, We know nothing but waiting.”
– From July in the City, a collection of poems by Palestinian artist, novelist and poet, Jabra Ibrahim Jabra, 1959
In these devastating times of deliberate, pitiless destruction of homes, history and peoples, I defiantly built an edifice of stone to celebrate the future. It is a shrine, a shelter, an obelisk for all those people and countries whose future has been brutally marred and who are denied the chance of generating personal and collective memories. For, as every stone touches another stone, so does memory–it is created by an ageless, unbreakable bond between the past, present and the future.The stones used are ancient Byzantine mosaic cubes collected from near an archeological site in Palestine. The mortar to fix the cubes together is an old Palestinian building recipe.
