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BOXES beyond borders

The Encrypted Future

Tajima Box Project. An artist and an extraordinary woman collaborate to create a box.

PHYLLIS CAMBPBELL, PRESIDENT AND CEO OF THE SEATTLE FOUNDATION

Right angles are only made by human beings. And if one thinks of the ultimate object created, one is led to the computer and its binary innards.

The dots on the unpainted, rectangular box are like the zeroes and ones used to create software. The disks represent programs which have strategies for solving problems of all dimensions, from local to global levels.

The box is about hope in the computer, that it will be able to help humanity.

 

 

The Private Cosmic Library

The “Private-Cosmic Library” probes three possibilities for encoding conscious and public databases along a time axis.

The disk is made of painted cast aluminum, actualizing modern types of codes, encoding information on computerized disks, accumulating familiar signs from the language of electronics within and metaphysical signs in personal-code rhythm language.

The libraries appearing in the brown photographs characterize hundreds of years of book printing, a whole web of cultures and memories open to intimate browsing and learning from generation to generation. The “Private-Cosmic Library” is expressed by the simple fact that these are photographs of the libraries in my home with a portrait assimilated therein and many books in the field of art and metaphysics.

The sculpture-object itself opens as a book closet and alternatively, appears to be a small shrine by virtue of the crystal pyramid and three quartz columns.

In mineral terminology, these types of crystals are used for energy acceleration. According to mythology in the culture of pre-historic Atlantis, all information encoding was carried out energetically upon crystals. In light of the reawakening of the effectiveness of natural crystals, advanced technological achievements are brought closer to the furthest past.

In the cloak of time, past, present and future take place upon a circular axis, and the internal memory is the collective memory. With the hope that despite the physical miniature dimension of the work, the work will expand itself towards the open space.

Ear Sees, Eye Hears

This box, created by Magdalena Pederin, is actually the second box to bear its name. The original box was an interactive work that reacted to voices and other sounds around it with green and red LED diodes. The original box was unfortunately stolen, but when asked about her opinion on the situation Magdalena responded calmly. She said that the individual who took the work considered it a good one. She then suggested creating a new version of the box out of plexiglass, which became the box featured here.

Tran-Sisters

This is a continuation of my Hole Project which started, and the beginning presented, in 1999. The holes drilled on the foundation parts of the box represents the idea that life is full of little openings.  The transistors (primary device for amplifying electronic signals) represents the idea of enhancing the message of openings we find in life. The interconnection of the 3 (number 3 is one of the lucky numbers for me) parts of the box represents interconnections that we beings can engage in among ourselves, to promote the attitude that there is hope because we find openings.

Magic Box

Covered with computer motherboards, connecting wires and glittering holographic stickers, harbors a rabbit inside, the oldest trick in the book. The rabbit represents the ambiguous nature of technology, simultaneously creating fantastic and magical results, while conversely negating magic and myth through infinite research and explanation of detail.

The march of technology is rampant, and it would be foolish not to become involved. Considering its widespread implications for the future, it offers a Pandora’s Box hope to potentially help the world through science, medicine, information, etc.

Changes will come just as they always have, only with lightning speed. Time for contemplation is scarce, but it is nevertheless necessary, for we don’t want to find in the end that the magic tricks which technology promises are simply the same illusions which have clouded our visions in the past.